Tone Evaluations by Martin Swan: review of violins by named makers
As a part of my business I spend a good deal of time at auctions
and in violin shops, and I make a point of playing every violin
which is in playable condition. I’ve got into the habit of writing
down basic observations about tone, and taking note of the estimates
and sale prices of the instruments I play. I started collecting this
information just for myself – as a way of building up a picture of
the tonal qualities of instruments made by different makers. I
decided to put it on the website because it challenges all the
received wisdom about what’s a “good violin”.
>> Criteria for Violin Tone Evaluations
Makers: A B C
D E F G
H I J K
L M N
O P Q R
S T U
V W X Y
Z
| |
Sale
date |
|
Auction Estimate |
Sale Price |
| T |
10/2011 |
Franco Albanelli |
Bologna |
c1960 |
£7-10K |
£8,000 |
| Bo |
10/2012 |
Albert & Merke |
Philadelphia |
c1900 |
£2-3K |
unsold |
| T |
10/2012 |
Franco Albinelli |
Bologna |
2003 |
£4-6K |
£4,800 |
| Br |
06/2011 |
Armando Altavilla |
Naples |
|
£8-12K |
unsold |
| T |
11/2011 |
Antonio & Girolamo Amati |
Cremona |
c1620 |
|
$385,000 |
| T |
03/2011 |
Amati Brothers |
Cremona |
|
£40-60K |
£69,000 |
| S |
03/2012 |
Nicolo Amati |
Cremona |
1682 |
£250-350K |
£301,250 |
| T |
10/2012 |
Vincenzo Anastasio |
Naples |
2006 |
£2-3K |
£2,160 |
| T |
03/2011 |
Vincenzo Anastasio |
Naples |
2003 |
£2-3K |
£2,520 |
| T |
03/2011 |
Vincenzo Annanaruma |
Salerno |
1932 |
£10-15K |
£10,800 |
| Br |
10/2012 |
Riccardo Antoniazzi |
Milan |
c1890 |
£25-35K |
£36,000 |
| Br |
03/2012 |
Riccardo Antoniazzi |
Milan |
c1890 |
£50-70K |
unsold |
| Br |
03/2011 |
Romeo Antoniazzi |
Milan |
1900 |
£9-12K |
£7,500 |
| S |
10/2011 |
Romeo Antoniazzi |
Cremona |
1907 |
£8-12K |
£25,000 |
| T |
03/2011 |
Romeo Antoniazzi |
Milan |
1908 |
£20-30K |
£30,000 |
| Bo |
03/2011 |
Romeo Antoniazzi |
Cremona |
1909 |
£25-30K |
£24,000 |
| T |
10/2011 |
Romeo Antoniazzi |
Cremona |
1914 |
£12-18K |
£21,000 |
| T |
06/2011 |
Romeo Antoniazzi |
Cremona |
1924 |
£25-40K |
unsold |
| T |
10/2012 |
Georges Apparut |
Mirecourt |
1947 |
£2.5-4K |
£3,000 |
| Br |
10/2012 |
Georges Apparut |
Mirecourt |
1939 |
£1.5-2K |
unsold |
| Br |
06/2010 |
Georges Apparut |
Mirecourt |
1944 |
£2-3K |
£2,400 |
| GH |
10/2012 |
Job Arden |
Wilmslow |
|
£900-1.2K |
unsold |
| T |
10/2012 |
Claudio Arezio |
Firenze |
2003 |
£3-5K |
£3,600 |
| Br |
06/2010 |
Aldebrano Armagliani |
Gerona |
1839 |
£8-12K |
£7,000 |
| Bo |
10/2011 |
William Atkinson |
Tottenham |
1887 |
£3-4K |
unsold |
| T |
06/2011 |
Joseph Aubry |
Le Havre |
1933 |
£1.2-1.8K |
£2,750 |
| GH |
03/2011 |
Luigi Auciello |
Milan |
1942 |
£2.5-3K |
unsold |
| Br |
03/2011 |
Nestor Audinot |
Paris |
1892 |
£5-7K |
£5,000 |
| Bo |
03/2011 |
Nestor Audinot |
Paris |
1896 |
£10-15K |
£10,000 |
| T |
03/2011 |
Victor Audinot |
Paris |
1925 |
£2-3K |
£3,000 |
| Br |
06/2011 |
Paul Bailly |
Paris |
c1880 |
£3-5K |
£6,000 |
| Br |
03/2012 |
Paul Bailly |
London |
1899 |
£7-10K |
£12,000 |
| S |
10/2011 |
Paul Bailly |
Mirecourt |
c1900 |
£6-8K |
£10,625 |
| Br |
10/2011 |
Luigi Bajoni |
Milan |
1877 |
£18-25K |
unsold |
| S |
10/2011 |
James & Henry Banks |
Salisbury |
1810 |
£3-5K |
unsold |
| Br |
06/2010 |
Bruno Barbieri |
Mantua |
1983 |
£3-5K |
£3,000 |
| GH |
03/2011 |
Enzo Barbieri |
Mantova |
1981 |
£3-4K |
£3,000 |
| T |
10/2012 |
Paolo de Barbieri |
Genoa |
1920 |
£6-9K |
£6,600 |
| Br |
10/2012 |
Paolo de Barbieri |
Genoa |
1946 |
£23-35K |
unsold |
| T |
03/2011 |
Paolo de Barbieri |
Genoa |
1925 |
£18-25K |
£25,000 |
| S |
10/2011 |
Paolo de Barbieri |
Genoa |
1945 |
£15-25K |
£17,500 |
| T |
03/2012 |
Giuseppe Bargelli |
Florence |
1937 |
£4-6K |
£4,800 |
| Br |
12/2012 |
Francois Barzoni |
Mirecourt |
c1900 |
£700-1K |
£840 |
| Bo |
10/2012 |
Francois Barzoni |
Mirecourt |
1907 |
£1-1.5K |
£1,250 |
| Bo |
10/2012 |
Francois Barzoni |
Mirecourt |
1910 |
£1-1.5K |
£1,187 |
| Br |
03/2012 |
Alfio Batelli |
Florence |
1930 |
£5-7K |
unsold |
| Br |
10/2012 |
Gustave Bazin |
Mirecourt |
|
£1.5-2K |
unsold |
| GH |
03/2011 |
Alan Beavit |
Scoraig |
1984 |
£2-3K |
unsold |
| S |
10/2011 |
Vittorio Bellarosa |
Naples |
c1940 |
£7-10K |
unsold |
| Br |
03/2012 |
Vittorio Bellarosa |
Naples |
c1950 |
£6-8K |
£7,200 |
| S |
10/2011 |
Vittorio Bellarosa |
Naples |
1952 |
£10-15K |
unsold |
| Br |
03/2011 |
Vittorio Bellarosa |
Naples |
1962 |
£10-15K |
£17,000 |
| Bo |
10/2011 |
Giuseppe Bellazzini |
Bonferraro |
1929 |
£4-5K |
£6,250 |
| T |
10/2012 |
Corrado Belli |
Cremona |
1981 |
£4-6K |
£7,220 |
| Br |
03/2012 |
Giuseppe Beltrami |
Cremona |
1917 |
£9-12K |
unsold |
| Bo |
03/2012 |
Père Bernardel |
Paris |
1851 |
£25-35K |
unsold |
| T |
03/2012 |
Gustave Bernardel |
Paris |
1892 |
£10-15K |
£13,200 |
| Br |
10/2012 |
Leon Bernardel |
Paris |
1932 |
£2-3K |
£5,400 |
| Br |
03/2012 |
John Betts |
London |
c1790 |
£7-10K |
£13,200 |
| Br |
03/2012 |
John Betts |
London |
c1814 |
£4-6K |
£7,800 |
| T |
03/2011 |
Secondo Bianchini |
Salo |
1950 |
£2.5-4K |
£4,200 |
| T |
10/2012 |
Oscar Bischofbergerer |
Zurich |
1941 |
£4-6K |
unsold |
| S |
03/2012 |
Carlo Bisiach |
Milan |
1928 |
£25-35K |
£30,000 |
| Br |
10/2011 |
Carlo Bisiach |
Florence |
1940 |
£18-25K |
£22,000 |
| Br |
06/2011 |
Leandro Bisiach |
Milan |
1897 |
£30-50K |
£30,000 |
| T |
03/2012 |
Leandro Bisiach |
Milan |
c1910 |
£25-40K |
£45,000 |
| T |
06/2011 |
Leandro Bisiach Workshop |
Milan |
c1935 |
£22-30K |
£22,000 |
| T |
10/2012 |
Paul Blanchard |
Lyon |
1912 |
£10-15K |
unsold |
| T |
10/2012 |
Paul Blanchard |
Lyon |
1879 |
£10-15K |
£7,800 |
| Br |
10/2012 |
Paul Blanchard |
Lyon |
1906 |
£3-5K |
£3,360 |
| Br |
03/2011 |
Paul Blanchard |
Lyon |
1891 |
£6-7K |
unsold |
| T |
03/2011 |
Emile Blondelet |
Mirecourt |
1924 |
£1-1.5K |
£1,320 |
| Bo |
10/2011 |
Emile Blondelet |
Mirecourt |
1927 |
£1.5-2K |
£2,250 |
| T |
06/2011 |
Tonino Boga |
Turin |
2006 |
£1.6-2.2K |
£1,600 |
| T |
06/2011 |
William Booth |
Leeds |
1853 |
£1.8-2.5K |
unsold |
| S |
03/2011 |
Emile Boulangeot |
Lyon |
1926 |
£6-8K |
unsold |
| Bo |
10/2012 |
Charles Boullangier |
London |
1882 |
£6-7K |
unsold |
| Br |
06/2011 |
Charles Boullangier |
London |
c1860 |
£15-20K |
£24,000 |
| Br |
03/2011 |
Charles Boullangier |
London |
1888 |
£5-7K |
£6,500 |
| Bo |
10/2012 |
Jan Boumeester |
Amsterdam |
1664 |
£15-20K |
unsold |
| Bo |
10/2012 |
Maurice Bourgignon |
Brussels |
1932 |
£3-4K |
unsold |
| T |
03/2012 |
James Briggs |
Glasgow |
1927 |
£1.8-2.5K |
£6,600 |
| R |
2011 |
Carlo Bruno |
|
1921 |
|
£35,000 |
| Br |
03/2012 |
Carolus Columbus Bruno |
Turin |
1913 |
£4-6K |
£4,800 |
| S |
03/2012 |
Camillo Camilli |
Mantua |
c1740 |
£30-50K |
unsold |
| Br |
06/2011 |
Antonio Capela |
Espinho |
1974 |
£3-5K |
£5,500 |
| Bo |
10/2011 |
Antonio Capela |
Espinho |
1974 |
£4-5K |
£5,125 |
| S |
10/2011 |
Antonio Capela |
Espinho |
1977 |
£3.5-5K |
£6,250 |
| S |
10/2011 |
Vincenzo Carcassi |
Florence |
c1800 |
£8-12K |
£9,375 |
| GH |
10/2012 |
Carlo? Carletti |
Pieve di Cento |
1923 |
£15-18K |
unsold |
| T |
03/2012 |
Nullo Carletti |
Pieve de Cento |
1948 |
£3-5K |
£5,700 |
| T |
06/2011 |
Serafino Casini |
Florence |
1932 |
£2.4-4K |
£6,000 |
| T |
06/2011 |
Paolo Castello |
Genoa |
c1786 |
£20-30K |
£21,000 |
| T |
10/2012 |
François Caussin |
Neufchateau |
c1850 |
£6-9K |
unsold |
| Br |
10/2011 |
François Caussin |
Neufchateau |
c1860 |
£1.5-2K |
£2,200 |
| T |
10/2012 |
Antonio Cavalazzi |
Ravenna |
1974 |
£7-10K |
£6,600 |
| T |
10/2011 |
Giovanni Cavani |
Spilamberto |
c1920 |
£7-10K |
£8,500 |
| Br |
03/2011 |
Vincenzo Cavani |
Spilamberto |
1942 |
£10-15K |
£12,000 |
| T |
03/2012 |
Emidio Celani |
Ascoli Piceno |
1888 |
£3-5K |
£8,400 |
| Br |
12/2012 |
Constantinus Celanus |
Asculi in Piceno |
1938 |
£2-3K |
£2,880 |
| Br |
03/2011 |
Georges Chanot |
Paris |
1840 |
£15-20K |
£13,000 |
| Bo |
03/2012 |
Georges Chanot |
Paris |
c1845 |
£12-18K |
unsold |
| Br |
06/2011 |
Georges Chanot |
Manchester |
1896 |
£7-12K |
unsold |
| T |
03/2012 |
Georges Adolph Chanot |
Manchester |
1898 |
£6-9K |
£6,600 |
| T |
03/2011 |
Joseph Chanot |
London |
1889 |
£12-18K |
£13,200 |
| S |
10/2011 |
Joseph Anthony Chanot |
London |
1906 |
£3-5K |
unsold |
| T |
03/2011 |
Augustin Chappuy |
Paris |
1774 |
£1.5-2.2K |
£5,100 |
| Br |
03/2012 |
Augustin Chappuy |
Paris |
1775 |
£5-700 |
£3,360 |
| S |
10/2011 |
Victor Joseph Charotte |
Mirecourt |
1913 |
£3-5K |
unsold |
| T |
10/2012 |
Frederic Chaudiere |
Montpellier |
1997 |
£18-25K |
£36,000 |
| Br |
06/2011 |
Gaetano Chiocchi |
Padua |
1871 |
£20-30K |
£18,000 |
| T |
03/2012 |
Alessandro Ciciliati |
Ferrara |
2005 |
£4-6K |
£6,600 |
| Bo |
10/2011 |
Albert Coad |
Penzance |
1937 |
£1-2K |
£2,500 |
| Bo |
03/2011 |
Collin Mezin |
Mirecourt |
1929 |
£1.2-1.8K |
£1,440 |
| T |
10/2011 |
Charles JB Collin Mezin |
Mirecourt |
1887 |
£4-6K |
£4,000 |
| GH |
10/2011 |
Charles JB Collin Mezin |
Mirecourt |
c1890 |
£3-5K |
£4,800 |
| Br |
06/2011 |
Charles JB Collin Mezin |
Mirecourt |
1900 |
£4-6K |
£4,000 |
| T |
03/2012 |
Charles JB Collin Mezin |
Mirecourt |
1907 |
£1.8-2.5K |
£1,920 |
| GH |
10/2011 |
Charles JB Collin Mezin |
Mirecourt |
c1910 |
£2-3K |
unsold |
| T |
06/2011 |
Charles JB Collin Mezin père |
Mirecourt |
1895 |
£3-5K |
£3,000 |
| Bo |
10/2012 |
Charles JB Collin-Mezin fils |
Mirecourt |
1931 |
£4-5K |
unsold |
| T |
06/2011 |
Charles JB Collin Mezin fils |
Mirecourt |
c1927 |
£1.2-1.8K |
£1,200 |
| T |
06/2011 |
Charles JB Collin Mezin fils |
Mirecourt |
1928 |
£2-3K |
unsold |
| T |
10/2011 |
Romano Comastri |
Imola |
1973 |
£3-5K |
£2,200 |
| Br |
06/2010 |
Stefano Conia |
Cremona |
1979 |
£3-5K |
£3,200 |
| Br |
03/2012 |
Primo Contavalli |
Omola |
c1946 |
£5-7K |
unsold |
| Br |
03/2011 |
Alfredus Contino |
Naples |
1921 |
£15-18K |
£15,000 |
| T |
03/2012 |
Alfredo Contino |
Naples |
1929 |
£15-22K |
£26,400 |
| Bo |
03/2012 |
Pietro Antonio dalla Costa |
Treviso |
c1750 |
£50-70K |
£61,250 |
| Bo |
10/2011 |
Charles Cramond |
Aberdeen |
1830 |
£1-1.5K |
£1,125 |
| Br |
12/2012 |
George Craske |
|
c1870 |
£3-5K |
unsold |
| Bo |
10/2012 |
George Craske |
|
c1870 |
£3-4K |
£3,500 |
| Br |
06/2011 |
George Craske |
London |
c1850 |
£2.5-4K |
£3,500 |
| Bo |
03/2012 |
George Craske |
|
c1870 |
£2.5-3.5K |
£4,000 |
| Bo |
03/2011 |
George Craske |
Manchester |
1874 |
£2.5-3.5K |
£4,900 |
| T |
10/2012 |
Anselmo Curletto |
Turin |
1948 |
£12-18K |
unsold |
| S |
10/2011 |
Johannes Francis Cuypers |
Amsterdam |
1799 |
£15-20K |
£27,500 |
| Br |
12/2011 |
Salvatore Dambra |
Messina |
c1820 |
|
unsold |
| T |
10/2012 |
Silvio Danieli |
Bonferrato |
1929 |
£6-9K |
unsold |
| Bo |
10/2012 |
Eugenio Degani |
Venice |
1894 |
£30-35K |
unsold |
| Br |
06/2012 |
Eugenio Degani |
Venice |
1896 |
£18-25K |
£33,600 |
| Bo |
03/2012 |
Eugenio Degani |
Venice |
1897 |
£15-20K |
£34,850 |
| Br |
03/2011 |
Francois Delprato |
Mirecourt |
|
£2-3K |
£2,400 |
| Br |
12/2012 |
Honore Derazey |
Mirecourt |
c1870 |
£5-8K |
£6,000 |
| Bo |
10/2012 |
Honore Derazey |
Mirecourt |
c1870 |
£5-6K |
unsold |
| Br |
10/2012 |
Honore Derazey |
Mirecourt |
c1870 |
£8-12K |
unsold |
| Bo |
03/2011 |
Honore Derazey |
Mirecourt |
c1840 |
£15-20K |
unsold |
| Bo |
10/2011 |
Honore Derazey |
Mirecourt |
c1850 |
£3-4K |
£3,750 |
| T |
03/2012 |
Honore Derazey |
Mirecourt |
c1855 |
£4-6K |
unsold |
| Br |
06/2012 |
Honore Derazey |
Mirecourt |
c1855 |
£14-18K |
£16,800 |
| Bo |
10/2012 |
Juste Derazey |
Mirecourt |
c1890 |
£2.5-3.5K |
unsold |
| Br |
06/2011 |
Juste Derazey |
Mirecourt |
|
£2.5-3.5K |
unsold |
| Bo |
10/2011 |
Juste Derazey |
Mirecourt |
c1880 |
£5-7K |
unsold |
| Bo |
10/2011 |
Juste Derazey |
Mirecourt |
c1880 |
£10-15K |
unsold |
| Bo |
03/2012 |
Juste Derazey |
Mirecourt |
c1880 |
£3-4K |
£4,000 |
| Br |
03/2012 |
Juste Derazey |
Mirecourt |
|
£2-3K |
£3,360 |
| S |
10/2011 |
Justin Derazey |
Mirecourt |
c1880 |
£3-5K |
|
| S |
03/2012 |
Giuseppe Desiato |
Naples |
1896 |
£12-16K |
£22,500 |
| T |
10/2012 |
Amédée Dieudonnée |
Mirecourt |
1950 |
£2.5-4K |
£2,280 |
| T |
06/2011 |
Amédée Dieudonnée |
Mirecourt |
c1920 |
£2-3K |
£2,100 |
| T |
06/2011 |
Amédée Dieudonnée |
Mirecourt |
1933 |
£1.8-2.5K |
£2,000 |
| S |
10/2011 |
Amédée Dieudonnée |
Mirecourt |
1934 |
£3-5K |
unsold |
| S |
10/2011 |
Amédée Dieudonnée |
Mirecourt |
1940 |
£3-5K |
unsold |
| T |
03/2012 |
Amédée Dieudonnée |
Mirecourt |
1944 |
£2-3K |
£2,760 |
| Bo |
10/2012 |
Alfred Dixon |
Folkestone |
1941 |
£2-3K |
unsold |
| Bo |
10/2012 |
Hermann Dolling Jr |
Markneukirchen |
c1900 |
£2-3K |
unsold |
| S |
03/2012 |
Richard Duke Jr |
London |
1792 |
£4-6K |
£6,875 |
| Br |
06/2011 |
George Duncan |
Glasgow |
1880 |
£1-1.5K |
£1,100 |
| Br |
10/2012 |
Annibale Fagnola |
Turin |
1890 |
£40-50K |
unsold |
| R |
2011 |
Annibale Fagnola |
|
|
|
£85,000 |
| Br |
12/2011 |
Annibale Fagnola |
Turin |
c1900 |
£30-50K |
£46,000 |
| S |
10/2011 |
Annibale Fagnola |
Turin |
1927 |
£40-60K |
£115,250 |
| S |
10/2011 |
Annibalotto Fagnola |
Turin |
1928 |
£20-30K |
£46,850 |
| T |
10/2012 |
Auguste Falisse |
Brussels |
1916 |
£3-5K |
£3,900 |
| T |
06/2011 |
Auguste Falisse |
Brussels |
1909 |
£3-5K |
£3,000 |
| T |
10/2012 |
Celeste Farotti |
Milan |
1901 |
£5-8K |
£10,200 |
| T |
10/2011 |
Celestino Farotti |
Milan |
1970 |
£7-10K |
£8,000 |
| T |
06/2011 |
Giovanni Fichera |
Naples |
1978 |
£3-5K |
£6,500 |
| Bo |
03/2011 |
Leon Fichesser |
Paris |
1906 |
£10-15K |
£9,000 |
| Bo |
03/2011 |
Giuseppe Fiorini |
Munich |
1897 |
£30-40K |
£60,000 |
| Br |
10/2011 |
Giuseppe Fiorini |
Zurich |
1919 |
£50-70K |
£50,000 |
| S |
10/2011 |
Benoit Fleury |
Paris |
1761 |
£3-5K |
£20,000 |
| Bo |
10/2012 |
P Franot |
Mirecourt |
c1870 |
£1-1.5K |
unsold |
| S |
10/2011 |
Rodolfo Fredi |
Rome |
1929 |
£10-15K |
unsold |
| Bo |
10/2012 |
Matthew Furber |
London |
1785 |
£3-4K |
unsold |
| Br |
03/2012 |
Matthew Furber |
London |
1811 |
£5-800 |
£1,800 |
| T |
10/2012 |
Giovanni B Gabrielli |
Florence |
c1760 |
£40-60K |
unsold |
| Br |
10/2012 |
Gaetano Gadda |
Mantua |
1930 |
£15-20K |
£28,800 |
| Br |
10/2012 |
Gaetano Gadda |
Mantua |
|
£25-35K |
£28,800 |
| Bo |
10/2012 |
Mario Gadda |
Mantua |
1991 |
£3-4K |
£3,500 |
| Bo |
10/2012 |
Mario Gadda |
Mantua |
1987 |
£2-3K |
£4,000 |
| T |
10/2012 |
Mario Gadda |
Mantua |
c1980 |
£7-10K |
£8,400 |
| S |
03/2012 |
Mario Gadda |
Mantua |
1976 |
£6-8K |
£12,500 |
| Br |
03/2012 |
Pierre Gaggini |
Nice |
1938 |
£3-5K |
£3,600 |
| T |
03/2011 |
Pierre Gaggini |
Nice |
1943 |
£6-9K |
£6,600 |
| T |
03/2012 |
Gennaro Gagliano |
Naples |
1743 |
£60-90K |
£66,000 |
| T |
10/2012 |
Giuseppe Gagliano |
Naples |
c1800 |
£80-120K |
£96,000 |
| T |
10/2012 |
Giuseppe & Antonio Gagliano |
Naples |
c1800 |
£20-30K |
£18,000 |
| Br |
03/2012 |
Januarius Gagliano |
Naples |
1722 |
£30-50K |
unsold |
| Br |
10/2012 |
Nicolo Gagliano |
Naples |
c1760 |
£50-70K |
£57,600 |
| T |
10/2011 |
Nicolo Gagliano |
Naples |
c1750 |
£140-180K |
unsold |
| Br |
03/2011 |
Raffaele & Antonio Gagliano |
Naples |
|
£20-30K |
£20,000 |
| GH |
10/2011 |
Giovanni Gaida |
Ivrea |
1933 |
£10-15K |
unsold |
| S |
03/2012 |
Charles Gaillard |
Paris |
c1875 |
£3-5K |
£3,500 |
| T |
10/2012 |
Pietro Galinotti |
Solero |
1929 |
£10-15K |
unsold |
| T |
06/2011 |
Antonin Galla |
Brno |
1955 |
£2-3K |
£1,800 |
| Br |
10/2011 |
Claudio Gamberini |
Bologna |
c1920 |
£7-10K |
£7,000 |
| Br |
03/2012 |
Gand & Bernardel |
Paris |
1878 |
£10-15K |
£12,000 |
| T |
06/2011 |
Gand & Bernardel |
Paris |
1882 |
£8-12K |
£8,000 |
| GH |
10/2012 |
Richard Gareis |
Graslitz |
|
£3-500 |
220 |
| Bo |
10/2011 |
Eugen Gartner |
Stuttgart |
1901 |
£5-7K |
unsold |
| T |
04/2012 |
Giorgio Gatti |
Turin |
1919 |
$30-50K |
$42,000 |
| Br |
06/2012 |
Franciscus Geissenhof |
Vienna |
c1808 |
£8-12K |
£9,000 |
| Bo |
10/2012 |
George Gemunder |
Long Island |
1888 |
£8-12K |
£9,375 |
| S |
03/2012 |
Riccardo Genovese |
Montiglio |
1924 |
£18-25K |
£23,750 |
| Bo |
10/2011 |
Emile Germain |
Paris |
1894 |
£2-3K |
£2,500 |
| Br |
12/2012 |
Antonio Giacci |
Osimo |
1979 |
£2-3K |
unsold |
| Br |
03/2011 |
Alfredo Gianotti |
Milan |
1975 |
£3-5K |
£8,000 |
| T |
10/2011 |
Senio Giovanetti |
Turin |
1988 |
£2-4K |
£2,200 |
| S |
03/2012 |
Ludovico Giovannetti |
San Benedetto |
1950 |
£4-6K |
unsold |
| Br |
10/2012 |
William Glenister |
London |
1918 |
£1.5-2K |
unsold |
| T |
10/2012 |
Antonius Goeting |
Amsterdam |
1929 |
£2-3K |
unsold |
| T |
06/2011 |
Eduardo Gorr |
Cremona |
2003 |
£1.5-2.2K |
£4,000 |
| Br |
10/2012 |
Anselmo Gotti |
Ferrara |
c1929 |
£6-8K |
£6,600 |
| Br |
06/2012 |
Anselmo Gotti |
Ferrara |
c1929 |
£7-10K |
unsold |
| GH |
10/2012 |
Emile Gourrien |
Mirecourt |
1928 |
£1.3-1.7K |
unsold |
| T |
10/2011 |
Gugliemo Govoni |
Bologna |
c1970 |
£3-5K |
£2,200 |
| Bo |
10/2012 |
Antonio Gragnani |
Livorno |
1778 |
£20-30K |
£18,750 |
| S |
10/2011 |
Antonio Gragnani |
Livorno |
1779 |
£25-35K |
£58,850 |
| T |
11/2011 |
Giovanni Grancino |
Milan |
1697 |
|
$135,000 |
| Br |
06/2011 |
Granjon Père |
Mirecourt |
c1870 |
£1-1.5K |
£1,000 |
| T |
03/2012 |
John Greaves |
Edmonton |
c1810 |
£3-5K |
£3,600 |
| Br |
03/2012 |
Francesco Guadagnini |
Turin |
1937 |
£40-60K |
£45,600 |
| GH |
10/2012 |
Lorenzo Frassini Guado |
Cremona |
1992 |
£2-3K |
unsold |
| S |
10/2011 |
Dante & Alfredo Guastalla |
Reggiolo Emilia |
c1920 |
£15-20K |
unsold |
| Br |
10/2012 |
Dante & Alfred Guastalla |
Reggiolo Emilia |
1924 |
£10-15K |
£12,000 |
| S |
10/2011 |
Dante & Alfredo Guastalla |
Reggiolo Emilia |
1924 |
£12-18K |
unsold |
| Br |
06/2010 |
Fratelli Guastalla |
Reggiolo |
1928 |
£5-7K |
£8,500 |
| T |
03/2011 |
Guastalla Bros |
Reggiolo |
1932 |
£6-9K |
£7,200 |
| Br |
10/2011 |
Louis Guersan |
Paris |
1747 |
£6-10K |
£5,800 |
| Br |
06/2011 |
Gottfried Hamm |
Markneukirchen |
c1790 |
£600-1K |
£650 |
| Br |
06/2011 |
Charles Harris |
Addebury |
1826 |
£3-5K |
£3,500 |
| Br |
03/2011 |
Hart & Son |
London |
|
£3-6K |
£4,500 |
| Bo |
10/2012 |
Jacques W Hakkert |
Rotterdam |
1913 |
£2.5-3.5K |
£3,000 |
| Bo |
10/2011 |
Joseph Hel |
Lille |
1901 |
£15-20K |
unsold |
| S |
10/2011 |
Pierre Joseph Hel |
Lille |
1901 |
£8-12K |
£10,000 |
| Br |
03/2012 |
Eugene Henry |
Paris |
1861 |
£4-6K |
£6,000 |
| Br |
12/2012 |
JB Herclik |
Mlada Boleslav |
|
£1-1.2K |
£1,200 |
| Bo |
03/2011 |
Thomas Earle Hesketh |
Manchester |
1910 |
£3-4K |
£3,000 |
| S |
10/2011 |
Thomas Earle Hesketh |
Manchester |
1933 |
£4-6K |
£4,750 |
| Br |
12/2011 |
Thomas Earle Hesketh |
Manchester |
1939 |
£2-4K |
£3,200 |
| Br |
03/2012 |
Thomas Earle Hesketh |
Manchester |
1939 |
£2.5-3.5K |
£5,760 |
| Br |
03/2011 |
Thomas Earle Hesketh |
Manchester |
1958 |
£4-6K |
unsold |
| T |
06/2011 |
W E Hill & Sons |
London |
1919 |
£6-9K |
£12,000 |
| Br |
10/2012 |
Matthys Hofmans |
Amsterdam |
c1720 |
£15-20K |
£16,800 |
| Bo |
10/2012 |
TJ Holder |
|
|
£3-4K |
£5,000 |
| S |
10/2011 |
Hendrik Jacobs |
Amsterdam |
1694 |
£10-15K |
£13,750 |
| Bo |
03/2012 |
Edward P Janson |
Manchester |
1856 |
£2-3K |
£2,375 |
| Bo |
10/2011 |
John Johnson |
London |
c1756 |
£3-4K |
£4,125 |
| S |
10/2011 |
Thomas Kennedy |
London |
1842 |
£5-7K |
£7,500 |
| Br |
03/2012 |
Cornelius Kleynman |
Amsterdam |
1683 |
£12-18K |
unsold |
| S |
10/2011 |
Sebastian Klotz |
Mittenwald |
c1750 |
£3.5-5K |
£6,000 |
| Br |
03/2012 |
Sebastian Klotz |
Mittenwald |
c1750 |
£7-10K |
£11,400 |
| Br |
12/2011 |
Sebastian Klotz |
Mittenwald |
1802 |
£2-3K |
£3,200 |
| T |
03/2012 |
Paul Knorr |
Markneukirchen |
c1930 |
£4.5-6K |
£5,400 |
| Bo |
10/2012 |
Oskar Krahl |
Meerane |
1931 |
£2-3K |
unsold |
| GH |
10/2011 |
Joseph Kriner |
Mittenwald |
1790 |
£1.5-2.5 |
£4,200 |
| T |
10/2012 |
Luigi Lanaro |
Padua |
1980 |
£6-9K |
unsold |
| Br |
12/2012 |
Umberto Lanaro |
Padua |
1976 |
£5-7K |
£7,200 |
| Br |
10/2012 |
Umberto Lanaro |
Padua |
1976 |
£7-10K |
unsold |
| Br |
10/2012 |
Alfred Lanini |
San Jose |
1920 |
£3-5K |
unsold |
| Br |
10/2012 |
Alfred Lanini |
San Jose |
1931 |
£3-5K |
unsold |
| Br |
03/2011 |
Houslar Lansinger |
Prague |
|
£1.5-2K |
unsold |
| T |
06/2011 |
Lorenzo Latelli |
Cremona |
2008 |
£2.5-4K |
£2,500 |
| T |
10/2011 |
Emile Laurent |
Brussels |
1905 |
£8-12K |
£7,500 |
| Br |
03/2012 |
Emile Laurent |
Bordeaux |
1913 |
£3.5-4.5K |
£3,840 |
| Br |
06/2011 |
Lauriol |
Bordeaux |
1862 |
£1-1.5K |
£3,500 |
| T |
10/2012 |
Claude Lebet |
Rome |
2011 |
£4.5-6K |
unsold |
| T |
10/2012 |
Dino Lelle |
Cesena |
1996 |
£1.5-2.2K |
£1,800 |
| T |
03/2012 |
Joseph D Lete |
Paris |
c1835 |
£9-12K |
unsold |
| Br |
12/2012 |
Lete & Denis |
Turin |
c1830 |
£3-5K |
£3,000 |
| Br |
06/2012 |
Antonius Lucca |
Verona |
1915 |
£10-15K |
unsold |
| T |
03/2011 |
Giuseppe Lucci |
Bagnacavallo |
1946 |
£6-9K |
£14,400 |
| T |
10/2011 |
Giuseppe Lucci |
Rome |
1963 |
£15-22K |
£15,000 |
| Bo |
10/2011 |
William H Luff |
London |
1973 |
£4-6K |
£6,000 |
| T |
10/2012 |
Nicolas Lupot |
Paris |
1800 |
£80-120K |
£108,000 |
| T |
06/2011 |
Nicholas Lupot |
Paris |
1799 |
£80-120K |
£150,000 |
| Bo |
10/2012 |
Gustav Lutschg |
Berne |
1930 |
£4-5K |
unsold |
| S |
10/2011 |
Cesare Maggiali |
Carrara |
1932 |
£6-8K |
unsold |
| T |
06/2011 |
Cesare Maggiali |
Cessena |
1963 |
£5-8K |
unsold |
| T |
06/2011 |
Erminio Malagutti |
Milan |
1982 |
£8-12K |
£8,000 |
| T |
10/2011 |
Salvatore Mangiacsale |
Torino |
2001 |
£3-5K |
£2,200 |
| Br |
06/2011 |
Edoardo Marcheti |
Turin |
1922 |
£18-25K |
£18,000 |
| Br |
06/2011 |
Enrico Marchetti |
Turin |
1882 |
£12-18K |
unsold |
| Br |
10/2011 |
Enrico Marchetti |
Turin |
c1890 |
£7-10K |
£13,000 |
| T |
03/2011 |
Enrico Marchetti |
Turin |
1908 |
£25-40K |
£27,000 |
| S |
03/2012 |
Enrico Marchetti |
Turin |
1923 |
£24-28K |
£27,500 |
| Bo |
03/2011 |
Guiseppe Marconcini |
Ferrara |
1800 |
£15-20K |
£18,000 |
| Bo |
10/2012 |
Olivier Marissal |
Lille |
1933 |
£800-1.2K |
£1,500 |
| T |
10/2012 |
Claude Miremont |
New York |
1862 |
£10-15K |
£12,000 |
| Br |
06/2011 |
Oreste Martini |
Mantua |
1921 |
£4-6K |
£2,400 |
| Br |
12/2012 |
Justin Maucotel |
Mirecourt |
c1880 |
£1.5-2K |
£1,800 |
| Br |
10/2012 |
Justin Maucotel |
Mirecourt |
|
£1.5-2K |
unsold |
| Br |
10/2012 |
Carolus Maurizi |
Bologna |
1929 |
£5-7K |
unsold |
| Bo |
10/2011 |
Edwin Maxwell |
Wimbledon |
1938 |
£1-1.5K |
unsold |
| T |
10/2012 |
Walter Mayson |
Manchester |
c1900 |
£2.5-4K |
unsold |
| Br |
03/2012 |
Walter H Mayson |
Manchester |
1888 |
£2-3K |
unsold |
| T |
10/2012 |
Karel Van Der Meer |
Amsterdam |
1929 |
£2-3K |
£2,520 |
| T |
10/2011 |
Alessandro Mezzadri |
Ferrara |
1701 |
£45-60K |
£47,500 |
| T |
10/2011 |
Adolfo Melli |
Reggiolo |
1934 |
£3-5K |
£3,000 |
| GH |
10/2012 |
Emile Menesson |
Reims |
1881 |
£7-10K |
unsold |
| S |
10/2011 |
Charles Mennegand |
Paris |
1879 |
£3.8-5K |
unsold |
| Br |
12/2011 |
Janos Michelberger |
Budapest |
1926 |
£600-1K |
£620 |
| Bo |
10/2011 |
Plino Michetti |
Turin |
1941 |
£10-15K |
unsold |
| Br |
10/2012 |
R&M Millant |
Paris |
1947 |
£2.5-3.5K |
|
| Bo |
10/2011 |
Roger & Max Millant |
Paris |
1939 |
£3-4K |
£4,000 |
| S |
03/2012 |
Claude Auguste Miremont |
Paris |
1880 |
£7-10K |
unsold |
| T |
10/2011 |
Mino Mirizzi |
Bari |
1955 |
£1.5-2.2K |
£1,000 |
| S |
03/2012 |
Max Mockel |
Berlin |
1934 |
£2.5-3.5K |
£4,750 |
| Bo |
03/2011 |
Louis Moitessier |
Paris/Mirecourt |
1810 |
£2-3K |
unsold |
| Bo |
10/2012 |
Max Moller |
Amsterdam |
1943 |
£5-7K |
unsold |
| Br |
06/2010 |
Domenico Montagnana |
Venice |
1723 |
£250-400K |
£510,000 |
| GH |
10/2012 |
AC Monteverde |
Cremona |
1923 |
£3-5K |
unsold |
| Br |
03/2012 |
Giovanni Baptista Morassi |
Cremona |
1998 |
£12-18K |
£19,200 |
| S |
10/2011 |
Georges Mougenot |
Brussels |
1882 |
£5-8K |
£5,625 |
| Br |
06/2011 |
Leon Mougenot Gauche |
Mirecourt |
1902 |
£3-5K |
unsold |
| Bo |
10/2012 |
Hans Muller |
Vienna |
1935 |
£1.5-2K |
£1,750 |
| GH |
10/2012 |
Ernest Mumby |
London |
|
£4-600 |
£580 |
| Br |
03/2012 |
Romedio Muncher |
Cremona |
1924 |
£3-5K |
£5,760 |
| T |
03/2011 |
Romedio Muncher |
Cremona |
1929 |
£1.8-2.5K |
unsold |
| T |
10/2012 |
Umberto Muschietti |
Udine |
1925 |
£6-9K |
unsold |
| Br |
10/2011 |
Colin Nicholls |
London |
1992 |
£1.5-2K |
unsold |
| T |
10/2012 |
Didier Nicolas |
Mirecourt |
c1800 |
£5-8K |
£4,200 |
| T |
10/2012 |
Didier Nicolas |
Mirecourt |
c1800 |
£3-5K |
£3,600 |
| Bo |
10/2011 |
Didier Nicolas |
France |
c1780 |
£2-3K |
£2,250 |
| T |
03/2011 |
Carlo Giuseppe Oddone |
Turin |
1905 |
£40-60K |
£54,000 |
| Br |
03/2012 |
Carlo Giuseppe Oddone |
Turin |
1918 |
£50-70K |
£64,800 |
| T |
10/2011 |
Carlo Giuseppe Oddone |
Turin |
1930 |
£45-60K |
£42,500 |
| S |
10/2011 |
Archimede Orlandini |
Parma |
1965 |
£4-6K |
£7,500 |
| Bo |
10/2012 |
Louis Otto |
Dresden |
1898 |
£3-4K |
£3,500 |
| Br |
06/2011 |
John W Owen |
Leeds |
1924 |
£1.5-2.5K |
£1,400 |
| T |
10/2011 |
Aldo Pagliacci |
Rome |
1985 |
£2.5-4K |
£2,500 |
| Br |
10/2012 |
Giovanni Panizzi |
San Remo |
1947 |
£7-10K |
|
| Br |
10/2012 |
Vincenzo Panormo |
London |
c1790 |
£30-50K |
£48,000 |
| S |
10/2011 |
Daniel Parker |
London |
c1720 |
£6-8K |
£9,375 |
| Br |
10/2011 |
Piero Parravicini |
Milan |
1931 |
£8-12K |
£14,000 |
| Br |
10/2012 |
Giuseppe Pedrazzini |
Milan |
1947 |
£30-40K |
unsold |
| S |
03/2012 |
Giuseppe Pedrazzini |
Milan |
c1945 |
£22-28K |
unsold |
| S |
10/2011 |
Raimondo Perotta |
Milan |
1926 |
£1.2-1.8K |
unsold |
| T |
03/2011 |
Thomas Perry |
Dublin |
1770 |
£3-5K |
£4,800 |
| Br |
03/2011 |
Armando Piccagliani |
Modena |
1938 |
£5-8K |
unsold |
| Bo |
03/2011 |
Francois Pillement |
Paris/Mirecourt |
1830 |
£1-1.5K |
£1,300 |
| T |
10/2011 |
Bruno Piastri |
Gabbice |
1995 |
£2.5-4K |
£1,600 |
| S |
10/2011 |
François Louis Pique |
Paris |
c1800 |
£20-30K |
£37,250 |
| Br |
10/2012 |
Piroue |
Paris |
c1830 |
£1.5-2K |
unsold |
| Br |
10/2012 |
Giovanni Pistucci |
Naples |
c1900 |
£30-40K |
unsold |
| GH |
03/2011 |
Walter Plain |
Glasgow |
|
£800-1.2K |
£2,100 |
| Br |
10/2012 |
Andreas Postacchini |
|
c1835 |
£70-100K |
£84,000 |
| T |
10/2012 |
Vincenzo Postiglione |
Naples |
1871 |
£30-50K |
£54,000 |
| Br |
12/2012 |
Thomas Powell |
|
1794 |
£3-5K |
£3,600 |
| Br |
03/2012 |
JF Pressenda |
Turin |
1825 |
£80-100K |
£96,000 |
| GH |
10/2011 |
George Pyne |
London |
1893 |
£1-1.5K |
£980 |
| Br |
03/2012 |
Janos Racsinczky |
Budapest |
1941 |
£1.5-2K |
unsold |
| T |
10/2011 |
Othelo Radighieri |
Baveno |
1987 |
£4-6K |
£3,500 |
| Bo |
10/2012 |
Andreas Renisto |
|
1931 |
£1-1.5K |
£1,620 |
| Br |
10/2012 |
Charles Resuche |
Lyon |
1894 |
£2.5-3K |
3,120 |
| Br |
10/2012 |
Arthur Richardson |
Crediton |
1928 |
£3-5K |
unsold |
| GH |
10/2011 |
Arthur Richardson |
Crediton |
1920 |
£2.2-2.8K |
£2,000 |
| Br |
12/2011 |
Arthur Richardson |
Crediton |
1927 |
£3-5K |
£3,200 |
| Br |
06/2011 |
Arthur Richardson |
Devon |
1928 |
£5-7K |
unsold |
| T |
10/2011 |
Carlos Roberts |
Cremona |
1997 |
£3-5K |
£3,000 |
| Br |
03/2011 |
Stanley Robinson |
Plumstead |
|
£6-800 |
£1,100 |
| Br |
10/2012 |
Enrico Rocca |
Genoa |
1915 |
£40-50K |
68,400 |
| Bo |
03/2012 |
Enrico Rocca |
Genova |
1894 |
£50-70K |
£80,450 |
| Br |
10/2011 |
Sesto Rocchi |
Milan |
1933 |
£7-10K |
£9,000 |
| S |
10/2011 |
Giovanni Battista Rogeri |
Brescia |
c1705 |
£140-180K |
£337,250 |
| T |
10/2012 |
Peter Rombouts |
Amsterdam |
c1712 |
£25-40K |
unsold |
| Br |
06/2012 |
Giuseppe Rossi |
Rome |
1921 |
£7-10K |
£15,600 |
| Br |
12/2011 |
Giovanni Rota |
Cremona |
1800 |
£18-25K |
£26,000 |
| Bo |
10/2012 |
Ernst Heinrich Roth |
Markneukirchen |
1937 |
£1-1.5K |
£2,125 |
| Br |
10/2012 |
Ernst Heinrich Roth |
Markneukirchen |
1944 |
£2-3K |
£3,600 |
| Br |
03/2011 |
Ernst Heinrich Roth |
Markneukirchen |
1923 |
£800-1.2K |
£2,300 |
| GH |
10/2011 |
Ernst Heinrich Roth |
Markneukirchen |
1928 |
£1.5-2.5K |
£3,400 |
| Br |
10/2011 |
Luigi Rovatto |
Buenos Aires |
1929 |
£4-6K |
£5,000 |
| Bo |
10/2011 |
Tullio Rovescalli |
Cremona |
1930 |
£6-7K |
£9,750 |
| Br |
03/2012 |
David Rubio |
Cambridge |
1992 |
£3-5K |
£3,360 |
| Bo |
10/2012 |
Carl Ruffe |
Markneukirchen |
1931 |
£1-1.5K |
unsold |
| T |
06/2011 |
Vincenzo Rugeri |
Cremona |
1717 |
£80-120K |
£85,000 |
| T |
10/2012 |
Francesco Ruggeri |
Cremona |
c1680 |
£60-90K |
unsold |
| Br |
12/2012 |
Benigno Saccani |
Milan |
c1880 |
£4-6K |
unsold |
| Br |
10/2012 |
Benigno Saccani |
Milan |
1910 |
£6-10K |
unsold |
| Br |
12/2012 |
Luigi Salsedo |
|
1932 |
£1-1.5K |
£1,920 |
| Br |
06/2010 |
Luigi Salsedo |
Naples |
1925 |
£2.5-3K |
£2,600 |
| Bo |
03/2012 |
Luigi Salsedo |
Italy |
1927 |
£3-4K |
unsold |
| Br |
10/2011 |
Vincenzo Sannino |
Naples |
1918 |
£18-25K |
unsold |
| Br |
06/2012 |
Vincenzo Sannino |
Naples |
1927 |
£18-25K |
£38,400 |
| S |
10/2011 |
Vincenzo Sannino |
Rome |
c1930 |
£30-40K |
£43,250 |
| Br |
10/2012 |
Stefano Scarampella |
Mantua |
1896 |
£60-80K |
unsold |
| T |
11/2011 |
Scarampella Workshop |
Mantua |
1921 |
|
$30,000 |
| S |
10/2011 |
Lucien Schmidt |
Grenoble |
1938 |
£3-5K |
unsold |
| T |
03/2012 |
Iginio Sderci |
Florence |
1939 |
£20-30K |
£27,600 |
| T |
06/2011 |
Iginio Sderci |
Florence |
1948 |
£10-15K |
£12,000 |
| T |
06/2011 |
Iginio Sderci |
Florence |
1951 |
£10-15K |
£9,500 |
| S |
10/2011 |
Iginio Sderci |
Florence |
1976 |
£8-12K |
£10,000 |
| Br |
10/2012 |
Sanctus Serafin |
Venice |
c1730 |
£70-100K |
£90,000 |
| S |
10/2011 |
Paul Serdet |
Paris |
1912 |
£6-8K |
£6,875 |
| Br |
10/2012 |
Gaetano Sgarabotto |
Parma |
1931 |
£5-7K |
£7,200 |
| Br |
06/2011 |
Pietro Sgarabotto |
Parma |
1949 |
£30-40K |
unsold |
| T |
10/2011 |
Pietro Sgarabotto |
Parma |
1949 |
£18-25K |
£22,000 |
| S |
10/2011 |
Pietro Sgarabotto |
Cremona |
1960 |
£20-30K |
unsold |
| Br |
06/2011 |
Giuseppe Sgarbi |
Rome |
1885 |
£8-12K |
£7,000 |
| Br |
03/2012 |
Etorre Siega |
Venice |
1914 |
£2-4K |
£4,560 |
| R |
2011 |
Etorre Siega |
|
|
|
£18,000 |
| Br |
03/2012 |
Hippolyte Chretien Silvestre |
Paris |
1889 |
£5-7K |
£9,000 |
| R |
2011 |
Hippolyte Chretien Silvestre |
|
1889 |
|
£22,000 |
| Bo |
10/2011 |
Hippolyte Chretien Silvestre |
Paris |
1898 |
£8-12K |
£15,000 |
| S |
10/2011 |
Pierre Silvestre |
Lyon |
1846 |
£18-25K |
£49,250 |
| T |
10/2011 |
Pierre & Hippolyte Silvestre |
Lyon |
1834 |
£4-6K |
£4,000 |
| Br |
10/2012 |
Silvestre & Maucotel |
Paris |
1900 |
£5-7K |
£5,400 |
| T |
10/2011 |
Amadeo Simonazzi |
Reggio Emelia |
1946 |
£15-22K |
unsold |
| Bo |
10/2011 |
Andrew Smillie & Son |
Glasgow |
1907 |
£2.5-3.5K |
£3,125 |
| T |
06/2011 |
Ettore Soffriti |
Ferrara |
c1892 |
£15-22K |
unsold |
| T |
03/2011 |
Ettore Soffriti |
Ferrara |
1920 |
£30-50K |
£36,000 |
| T |
10/2011 |
Rumen Spirov |
Kazanlak |
2010 |
£2-3K |
£2,750 |
| T |
03/2012 |
Rumen Spirov |
Kazanlak |
2011 |
£1.2-1.8K |
£2,040 |
| R |
2011 |
George Stoppani |
Manchester |
2010 |
|
£10,000 |
| T |
04/2012 |
Lorenzo Storioni |
Cremona |
1792 |
$280-350K |
$413,600 |
| T |
04/2012 |
Antonio Stradivari |
Cremona |
c1705 |
|
$2.48M |
| S |
10/2011 |
Giuseppe Tarasconi |
Milan |
c1900 |
£20-30K |
unsold |
| Br |
03/2012 |
Giuseppe Tarasconi |
Saronno |
c1900 |
£20-30K |
£26,400 |
| Br |
10/2012 |
Giovanni Tedesco |
Naples |
1909 |
£7-10K |
unsold |
| T |
10/2012 |
Claudio Testoni |
Mantova |
2011 |
£5-8K |
unsold |
| T |
06/2011 |
Paolo Antonio Testore |
Milan |
c1740 |
£50-80K |
unsold |
| Bo |
03/2012 |
Pierre Thibout |
Paris |
c1840 |
£6-8K |
£6,975 |
| Br |
03/2011 |
Charles & Samuel Thompson |
London |
1772 |
£3-5K |
unsold |
| Br |
10/2011 |
Carlo Tononi |
Bologna |
c1718 |
£90-120K |
unsold |
| GH |
03/2011 |
Rudolfo Tramonti |
Forli |
|
£6-8K |
£5,800 |
| T |
06/2011 |
Nicola Utili |
Castel Bolognese |
1932 |
£5-8K |
unsold |
| T |
03/2011 |
Giovanni Valenzano |
Valenza |
1821 |
£10-15K |
£22,800 |
| T |
03/2012 |
Gyula Varady |
Budapest |
1920 |
£4-6K |
unsold |
| T |
06/2011 |
Ferrucio Varagnolo |
Milan |
1904 |
£11-15K |
£12,000 |
| GH |
10/2012 |
Alfons Vavra |
Prague |
1952 |
£2-3K |
unsold |
| Br |
03/2012 |
Lorenzo Ventapane |
Naples |
1828 |
£50-70K |
£60,000 |
| Br |
03/2011 |
Lorenzo Ventapane |
Naples |
|
£18-25K |
£14,000 |
| Br |
03/2011 |
Pasquale Ventapane |
Naples |
1840 |
£10-15K |
£10,000 |
| Br |
12/2012 |
Dario Verne |
Turin |
1982 |
£3-5K |
unsold |
| Bo |
10/2011 |
Alfred Vidoudez |
Geneva |
1924 |
£5-7K |
£5,750 |
| Br |
03/2012 |
Gennaro Vinaccia |
Naples |
1780 |
£60-70K |
£72,000 |
| Bo |
03/2011 |
Alfred Vincent |
London |
1926 |
£3-4K |
£4,000 |
| GH |
10/2011 |
Arnold Voigt |
Markneukirchen |
|
£800-1.2K |
£950 |
| Br |
03/2011 |
Voller Bros |
London |
1900 |
£12-18K |
£17,000 |
| GH |
03/2011 |
Chipot Vuillaume |
Mirecourt |
|
£800-1.2K |
£800 |
| T |
10/2012 |
Jean-Baptiste Vuilaume |
Paris |
c1830 |
£70-100K |
unsold |
| T |
10/2011 |
Jean Baptiste Vuillaume |
Paris |
1829 |
£75-100K |
£95,000 |
| S |
10/2011 |
Jean Baptiste Vuillaume |
Paris |
c1845 |
£65-75K |
£103,250 |
| S |
03/2012 |
Jean Baptiste Vuillaume |
Paris |
1845 |
£80-120K |
£133,250 |
| T |
03/2012 |
Jean Baptiste Vuillaume |
Paris |
1873 |
£70-100K |
£84,000 |
| T |
10/2012 |
Nicolas Vuillaume |
Brussels |
1871 |
£10-15K |
£13,200 |
| Br |
10/2012 |
Nicholas Vuillaume |
Mirecourt |
c1870 |
£8-12K |
9,000 |
| Bo |
03/2012 |
Nicolas François Vuillaume |
Brussels |
1833 |
£8-12K |
£10,000 |
| Br |
03/2012 |
Nicolas François Vuillaume |
Brussels |
1844 |
£15-18K |
unsold |
| GH |
10/2011 |
Frank Watson |
Rochdale |
1900 |
£800-1K |
£800 |
| T |
03/2011 |
Emmanuel Whitmarsh |
London |
1910 |
£1.5-2.2K |
unsold |
| T |
03/2011 |
Leopold Widhalm |
Nürnberg |
1775 |
£10-15K |
withdrawn |
| Bo |
10/2012 |
John Wilkinson |
London |
c1935 |
£3-4K |
£4,750 |
| Bo |
10/2011 |
John Wilkinson |
London |
c1935 |
£5-6K |
unsold |
| T |
10/2012 |
George Wulme-Hudson |
London |
c1930 |
£9-13K |
£10,800 |
| T |
10/2012 |
Francesco Zanoli |
Nonantola |
1987 |
£2-3K |
£1,800 |
| T |
10/2012 |
Francesco Zanoli |
Nonantola |
1988 |
£1.5-2.2K |
£1,440 |
| T |
03/2012 |
Francesco Zanoli |
Nonantola |
1982 |
£1.8-2.5K |
£2,160 |
| T |
06/2011 |
Bruno Zobboli |
Pieve di Cento |
2001 |
£1-2.5K |
£1,900 |
Criteria for Violin Tone Evaluations
I have to point out that many of the instruments one meets in
auction rooms are poorly set up, the strings can be old, and
sometimes there are other problems. But I take these factors into
account – I make a judgment about how far off its ideal set-up any
particular instrument might be. And if the set-up looks good, I
assume that minor changes won’t essentially alter its character.
I try to play the instruments before looking at the label, the
catalogue, or the estimate, so that I’m not prejudiced by the price
tag – sometimes this isn’t possible (for instance Tarisio arranges
its instruments according to value), but often I have a friend or
colleague who holds the catalogue and keeps that information to
him/herself!
I should also point out that my idea of good tone is subjective,
but I do have consistent criteria and they are by and large the same
as any professional player's. A great violin is one you find
yourself making great music on!
I suppose the constituent parts are generally (and not in order of
importance):
- The absence of irregularity or nasty artefacts that have to be
played around
- Complexity and abundance of good high harmonics throughout the
register (often discussed in terms of projection)
- Volume in all parts of the register
- Sustain or continuity of response
- Plenty of information making its way to the player's body
(resonance)
With a good violin the tone doesn't seem to come from anywhere in
particular, you feel yourself to be part of it and it to be part of
you, and the sound occupies the space you're playing in. I'd say the
greatest testament to a good violin is that you forget about it –
same with bows. With both violins and bows, a good tool immediately
opens up the possibility of better musical ideas & forms of
expression. I suppose this comes down to a general rather nebulous
quality of "responsiveness".
As for determining whether one instrument is superior to another,
it comes down to the quality of relaxation I experience when playing
the instrument. The more relaxed you feel, the more you can
communicate.
I confess to some idiosyncrasies - I'm not overly bothered about
sonorous G strings, I like very loud violins, and I'm very fond of
new violins.
Most experienced players with some technique share these
ideas/ideals. Learners have a rather different agenda, as good
articulate response is often the last thing they want!
Here's a really good account of tone/playability by someone who's
handled a lot of the best instruments in the world, Michael Darnton.
He seems to define it in exactly the way I do, though he claims only
early Cremonese violins have these qualities!
"Great violins ...
- Respond instantly. Each note starts quickly and cleanly, without
any initial noise at all (not even an icy harshness), with almost
an initial pop. In quick passages each note stands out
individually, not smeared into the others, even in slurred
passages. It's difficult or nearly impossible to make a bad attack
– what you hear in the audience is an unusual cleanliness to the
beginning of each note and separation from the previous one (which
stops sounding instantly without lingering into the next note),
and that's something that's particularly easy for a listener to
catch, once you tune your ear to it. It's also a major contributor
to higher playing quality in a player, since he doesn't have to
spend energy making sure all his attacks are just right to
compensate for the violin's own lack of good temper. When I was
selling violins on a daily basis players would use the same
several pieces for testing, and I grew accustomed to internally
cringing in anticipation of several specific notes in each piece
that seemed universally difficult to execute cleanly and
beautifully. Not a problem for a great violin, though, which would
sail through those notes perfectly. (One of the problems with
listening tests is that a good player will automatically
compensate for those notes, which are the same ones every time,
and you'll never know how bad a violin really is – that's why
someone like Kreisler could play on anything and make it sound
great.)
- Lack dissonance. Every note is clear and clean, internally (the
harmonics) in tune and smooth, without anything dirty or
extraneous. That's also something listeners can pick up, though
it's harder – it's a little like hearing an in-tune piano vs an
out-of-tune one (where one of each of the three strings that make
a note is slightly out), but much less obvious.
- Have presence. This is the hardest thing to hear. It expresses
itself in the violin "appearing" to the ear to take up a lot of
stage territory, and it can be slightly difficult to pinpoint the
exact location of the violin. A side component of this is a
particularly enveloping beauty of tone that's very subtle and
difficult to characterize. I have heard a lot of nice violins, but
I have *never* heard a violin that wasn't Cremonese that did this
last thing, and this is also the most difficult aspect to hear.
- Can be heard. This is not ear-painful volume, which may or may
not carry; it's genuine carrying power: the ability to stand out
against a number of other instruments. Generally raw, dissonant,
or bright violins may appear to have more volume, but against
other instruments, tonal purity and higher output in a particular
small band of harmonics around 2500hz wins, even though the violin
may see inadequate or even veiled on its own. I don't much like listening to recordings of violins for the
purpose of listening to the violin itself. I rarely get an
impression from a recording that's even vaguely similar to the real
thing."
Michael Darnton,
originally posted on a Maestronet
forum.
Martin Swan Violins - The Online Violin Shop for Professionals