Small Violas

A Small Mittenwald Viola circa 1840


A Small Mittenwald Viola circa 1840 This is a very characteristic Mittenwald small viola with a one-piece front taken from one of those immense Alpine spruce trees. It’s in near-perfect condition with no cracks or damages, and very little wear to the edges or the varnish. The work is very tidy and precise, everything is well-executed and oozes confidence – it’s a pleasure to see something of this quality in such a pristine state. More details

Bohemian Small Viola circa 1830


Bohemian Small Viola circa 1830This is a very attractive early 19th century viola bearing an apocryphal Gagliano label. In style of construction it comes closest to Prague instruments of the period, but it seems destined to remain forever “anonymous”. The size is typical of Austro-Hungarian work – overall the workmanship is excellent, as are the materials and the varnish. There are a couple of invisible and highly professional crack repairs to the table, including a soundpost patch. More details

Mittenwald small viola, circa 1870


Mittenwald small viola, circa 1870This is a very well made Mittenwald small viola from the mid-late 19th century – typically the front, back and ribs are all one-piece in construction. The tidy inner work reveals the use of an inside mould, and in all respects this is a finely executed instrument with dramatic varnish, elegant Guarneri-inspired f-holes, and discreet antiquing. More details

Small English Viola circa 1790, Classical Setup


Small English Viola circa 1790, Classical Setup This is a beautiful English viola from the late 18th century – in the opinion of David Rattray probably the work of Thomas Powell. It has its original neck, fingerboard and saddle, and David has given it a “classical” period set-up, making it eminently suitable for historically informed performance. It’s always a thrill to find an older instrument which remains unmodernized, even better if the condition is as good as this. More details

Charles F. Langonet Small Viola, London 1924


Charles F. Langonet Small Viola, London 1924Here is a superb example of the work of Charles Francois Langonet – Langonet trained in Mirecourt, but came to fame as foreman of the Hills shop, and was the primary talent in their violin-making activities. Instruments bearing his own label are pretty rare – there’s a fine appreciation of him in this article from The Strad’s archives.

There’s nothing to distinguish this 1924 viola from a great Hill of the early 20th century. More details

Johannes Theodorus Cuypers Viola, Den Haag (The Hague) 1777

Johannes Theodorus Cuypers Viola, Den Haag (The Hague) 1777Johannes Theodorus Cuypers is perhaps the best known and most respected maker of the Dutch School, and there are few non-Italian makers who command such admiration amongst players and experts alike. This is a really fine example from his best period, before he had his rather less dedicated sons to help him! More details

A Small Viola by Paolo Castello, Genoa circa 1770

A Small Viola by Paolo Castello, Genoa circa 1770This is an outstanding 18th century Italian viola by Paolo Castello. Castello attracts quite a varied response from connoisseurs and antiquarians, mainly on account of his idiosyncratic scrolls, but I’m a big fan. Every instrument of his that I’ve played has sounded good, and most are outstanding. This viola is a fine example of his work, very similar to the one featured in Alberto Giordano’s seminal article in the Strad. More details

Choosing a viola? We specialise in small violas…

Although most of our prejudices about instruments filter down from the current orchestral fashions, there are many situations in which a large soundbox is of no particular benefit, and where a big viola just proves unwieldy. Klezmer, traditional and gypsy musicians tend to favour small instruments, as do classical musicians who are answerable only to themselves! More details

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