Torleiv Frøysaa Hardanger, Gjøvik 1910
This is a fine Hardanger by the highly respected early 20th century maker Torleiv Frøysaa. It’s a beautiful sounding instrument with 4 sympathetic strings in good playing condition.
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Author: Anna
Jacques-Pierre Thibout Violin, Paris 1832
Jacques Pierre Thibout is considered to be one of the best Parisian makers of the early 19th century. We have two violins of his at the moment, this one very much a player’s instrument with some minor restoration and a big bold sound.
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Vila Kužel Violin, Brno 1965
This is a very good modern Czech violin by Vilém Kužel. Meticulous craftsmanship on a Guarneri model, fine materials and an excellent sound.
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Julius Hubička Violin, Prague 1943
This is an exceptional example of the work of Julius Hubička, a highly productive but maddeningly inconsistent maker of the early 20th century. This particular violin ticks all the boxes – great sound, great condition, great price.
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Richard Gruenke Cello Bow, Bubenreuth circa 1980
An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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Louis Gillet Viola Bow, Nancy circa 1940
Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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Léon Bernardel Violin Bow, Mirecourt circa 1930
This is a very good silver-mounted Mirecourt bow stamped Leon Bernardel Paris – it’s in excellent condition and plays beautifully.
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Karel Pilař Violin, Hradec Králové 1941
Karel Pilař is one of a small group of talented makers active in Prague and Czechoslovakia in the mid 20th century. This is a typical example of his Strad-inspired model in excellent condition – it’s an outstanding players’s violin with a powerful yet refined tone.
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EA Ouchard Violin Bow, France, circa 1930
Joseph Hel Violin, Lille 1889
This is a rare del Gesu copy by one of the most interesting of late 19th century French makers, Joseph Hel. It’s an unusually fine sounding example of this maker’s work in very good condition.
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Paul Bailly Violin, London 1890
Here we have another excellent Paul Bailly from 1890 – it’s a very responsive instrument in excellent condition, and a great example of this maker’s work.
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Piero Parravicini Viola, Bovisio (Milan) 1952
This is a very fine viola by Piero Parravicini, a student of Antoniazzi and a prolific and successful maker. It’s an excellent size and the sound is rich and powerful.
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JB Lefevbre Violin, Amsterdam 1760
This is a rare and very pretty violin by the 18th century Dutch maker Jacques Lefebvre – it’s a superb sounding instrument in good restored condition.
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Victor Fétique Violin Bow, Paris, circa 1925
Another great Fétique bow, this one gold-mounted – a heavy but lively bow for a power player, and in very good condition.
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Giuseppe Rocca Viola, Turin 1858
This is a remarkable small viola by Giuseppe Rocca in a very pure state of preservation, and with a tonal quality that’s quite astounding for the size.
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Alberto Guerra Viola, Modena 1957
Made by Alberto Guerra, this is an excellent yet affordable modern Italian viola of good proportions with a warm, fruity sound. It has a slightly “lived-in” appearance but is free from any condition issues.
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Marino Capicchioni Viola, Rimini 1954
This is a fine Italian viola of ideal proportions made by Marino Capicchioni in 1954 – it’s an unusually attractive example in excellent condition, with a big and bold sound.
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Ansaldo Poggi Viola, Bologna 1954
Ansaldo Poggi is the most highy valued violinmaker of the 20th century, and here we have a rare viola in mint condition. An outstanding collector’s piece and a beautiful sounding instrument.
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Ch.JB Collin-Mézin Violin, Paris 1885
This is a fine early Collin-Mézin violin in excellent condition, and with a characteristically bold and rich sound.
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Eugene Sartory Violin Bow, Paris circa 1920
This is an exceptional gold-mounted Sartory violin bow, formerly the property of the renowned French violinist Jacques Thibaud. It’s a remarkable bow in every way.
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EF Ouchard Cello Bow, Mirecourt circa 1930
This is a very nice cello bow by EF Ouchard, a prolific and undervalued maker. It’s in good condition and plays very well.
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Célestin Emile Clasquin Violin Bow, Paris circa 1910
This is a very fine and rare example of the work of Célestin Clasquin. It’s a great playing bow in beautiful condition.
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Louis Morizot Violin Bow, Mirecourt circa 1920
This is a good Louis Morizot bow made very affordable by a replacement button – otherwise the condition is excellent and the bow plays beautifully.
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James Tubbs Viola Bow, London circa 1870
This is a great early James Tubbs viola bow made for WE Hill whose brand it bears. It’s in a very fine state of preservation and it’s an unusually versatile player.
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Castello School Viola, Genoa circa 1760
Contact us for more information on this Castello School Viola or look for similar violas here.
Karel Plilar Violin, Prague circa 1940
Contact us for more information on this Karel Plilar Violin or look for similar violins here.
EA Ouchard Cello Bow, Paris circa 1930
Contact us for more information on this EA Ouchard Cello bow or look for similar cello bows here.
Pierre Silvestre Violin, Paris circa 1850
Contact us for more information on this Pierre Silvestre Violin or look for similar violins here.
Otakar Spidlen Violin, Prague 1927
Contact us for more information on this Otakar Spidlen Violin or look for similar violins here
Etienne Pajeot Violin Bow circa 1840
This is an exceptional bow by one of the greatest of the French makers, Etienne Pajeot. It plays beautifully and the condition is outstanding.
Mounts: nickel/ebony
Dimensions: length 74.5cm weight 58.8 grams
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Eugène Sartory Violin Bow, Paris circa 1900
This is a unique early Sartory bow in superb condition – it’s a highly collectable bow but it also has a unique clarity of tone.
Mounts: silver/ebony
Dimensions: length 74.35cm, weight 61.5 grams
Certificate: Raffin-Le Canu-Bigot, Paris 2017 
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Eugène Sartory Violin Bow, Paris circa 1915
This is a spectacular gold mounted Sartory in excellent condition, and with the playing qualities you would expect from this maker’s best work.
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EA Ouchard Violin Bow, Paris circa 1930
EA Ouchard is probably the greatest of 20th century French makers, and this is the finest example we have seen. Gold mounted, spectacular wood, amazing condition, and most importantly a great player’s bow.
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FX Tourte Violin Bow, Paris circa 1805
FX Tourte is without question the greatest maker in the history of bow-making. Here we have a terrific FX Tourte stick in excellent condition, with mounts of the period probably by Francois Lupot II.
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WE Hill & Sons Violin Bow, London circa 1910
This is a beautifully preserved early Hill bow, the work of William Napier according to the late Bill Watson. Well balanced, a great weight, and a clear full tone.
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Paul Bailly Violin, Paris circa 1875
Paul Bailly is definitely the most interesting maker to have come out of the Vuillaume shop, and this is a typically bold creation of his based on del Gesu. It’s in excellent condition and has a full and responsive voice.
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JA Vigneron Cello Bow, Paris circa 1905
Here we have a beautifully preserved cello bow by JA Vigneron, a highly respected maker of the late 19th century.
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Joseph Henry Cello Bow, Paris circa 1865
This is an exceptional cello bow by Joseph Henry, one of the greatest of 19th century makers.
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Nicolo Gagliano Violin, Naples circa 1770
This is a fine violin by Nicolo Gagliano, made in 1761 and bearing its original label. It’s a particularly attractive example with a sublime tone.
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HC Silvestre Workshop Violin, Paris, circa 1890
This is a lovely violin from the late 19th century bearing an authentic Silvestre label, but most likely a bought-in Mirecourt instrument. It has a terrific sound, and it would be ideal for a talented young player.
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A Fine Berlin Violin, circa 1920
This is a rather beautiful violin which used to be a Bisiach pretending to be a Guiseppe Rocca! It’s a great example of the early 20th century Berlin copy style with a very fine sound.
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A Fine Prague/Vienna Violin, circa 1800
This is an exceptional sounding insturment made around 1800 in the Prague/Vienna school. It’s one of the best sounding violins we have in stock, and worthy of a top level player.
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Nicolas Simon Violin Bow, Paris circa 1840
Nicolas Simon (also known as Simon Fr.) is a superb maker whose life and origins are still poorly documented. All we can say with certainty is that he made exceptional bows broadly in the style of Peccatte.
Marcel Lapierre Violin Bow, Mirecourt circa 1950
Marcel Lapierre is a highly under-rated French maker, and his bows represent exceptional value for money. This is a well preserved example with great playing qualities.
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Marie Louis Piernot Violin Bow, Paris circa 1925
Another great bow by Marie Louis Piernot, an early 20th century maker whose star is on the rise. First class workmanship, very good condition and a big earthy sound.
Marie Louis Piernot Violin Bow, Paris circa 1925
This is a very fine example of the work of Marie Louis Piernot, one of the more under-rated of early 20th century makers. The bow is in excellent condition and draws a mighty sound.
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Claude Thomassin Violin Bow, Paris circa 1890
Claude Thomassin was a very talented and highy individual maker. Here we have a nickel mounted example in near mint condition with a typically refined and luminous sound.
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Jules Fétique Violin Bow, Paris circa 1925
This is a fine Jules Fétique violin bow with outstanding playing qualities, dating from around 1925. It’s lovely looking bow in very good condition.
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James Tubbs Violin Bow, London circa 1910
This is a lovely late James Tubbs, an unusually strong and responsive stick for this maker, and in top condition.
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JA Lamy Cello Bow, Paris circa 1890
This is an exceptional gold-mounted Lamy cello bow in near-mint condition.
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Tomáš Hulinzky Violin, Prague 1776
Hulinsky is one of the most interesting Prague makers of the 18th century, and this is a very refined example of his work. Beautiful craftsmanship, great wood, and a first class sound.
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Louis Thomassin Cello Bow, Paris circa 1895
This is a rare cello bow by Louis Thomassin, co-worker and successor to FN Voirin. It’s a beautiful example of his work and in fine condition.
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Marcel Lapierre Viola Bow, Mirecourt circa 1950
This is a particularly nice example of Marcel Lapierre’s work – made with unusually fine wood, and with excellent playing qualities.
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Jean Persoit Violin Bow, Paris circa 1830
Jean Persoit is one of the most hallowed names in bow-making, really the only maker to rival FX Tourte. Here we have a restored example that is nonetheless quite beautiful and an outstanding player’s bow.
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EF&EA Ouchard Violin Bow, Mirecourt circa 1925
Here is another “collaboration” bow, made in the workshop of EF Ouchard but showing the hand of his son EA Ouchard. Made for Lucien Schmidt of Grenoble, this is a very high quality stick with an excellent playing character. Very good condition too.
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WE Hill & Son Violin Bow, William Johnston circa 1900
Everyone is familiar with the quality of Hill bows – here we have a very early silver and ivory example from around 1900 bearing the maker’s mark of William Johnston (first mark with vertical nicks). The sound is first class and the condition is unusually good.
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Mars Auguste Husson Violin Bow, Paris circa 1925
This is a very fine and rare ivory-mounted bow by Auguste Husson, a Parisian maker of the early 20th century. It’s in excellent condition and is a top class player.
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Georges Chanot Violin, Paris circa 1835
Gand & Bernardel Violin, Paris 1866
FN Voirin Violin Bow, Paris circa 1885
Joseph Henry Violin Bow, Paris circa 1850
Eugène Sartory Violin Bow, Paris circa 1925
Joseph Lafleur Violin Bow, Paris circa 1830
Lafleur is one of the great names in French bow-making, and this is a very fine early example of his work. Contemporary bow-makers would kill or maim to get their hands on this quality of pernambuco, dense, veined and beautifully flamed. The head is very artistic, a bell-like model which Pierre Simon championed in his work. Typical frog with 2-piece heel-plate, one single pin in the centre of the back plate.
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FN Voirin Viola Bow, Paris circa 1875
Hermann Prell Violin Bow, Markneukirchen circa 1920
This is the second bow we have by Hermann Prell, whose main claim to fame was the fact that he worked briefly for Sartory. Here we have a fine silver-mounted example in unblemished condition, and a great all-round player.
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WE Hill & Son Violin Bow, London 1959
There are Hill bows and Hill bows … and this is about as good as you can get, a chased gold and tortoiseshell fleur de lys bow in mint condition. And it plays!
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WE Hill & Son Violin Bow, London 1957
This is a fine gold mounted Hill bow from 1957, the stick made by Arthur Copley. It’s in excellent condition and its playing qualities are quintessentially Hill – unpretentious and utterly reliable!
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HR Pfretzschner Violin Bow, Markneukirchen circa 1920
This is a rare and exquisite gold and tortoiseshell HR Pfretzschner from around 1920. It’s in excellent condition and it plays beautifully with a muscular warm sound.
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Stephane Muller Viola Bow, Toulouse circa 1990
This is a beautifully made viola bow by contemporary French maker Stéphane Muller, bearing the serial number 9589. The wood is outstanding, the condition is very good, and the sound is bold and solistic.
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Jean Joseph Martin Violin Bow for JB Vuillaume, Paris circa 1870
This is a very nice Vuillaume bow made by JJ Martin around 1870. Built on a typcial Vuillaume model, it’s a very attractive bow with a huge sound.
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Francois Peccatte Violin Bow, Paris circa 1845
François Peccatte, brother of Dominique, is a maker whose star is in the ascendant. His preference for nickel and for unusual woods has to some extent obscured the quality of his making, but this bow is stunning.
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Noel Burke Viola Bow, Carlow, 2018
G B Gaibisso Violin, Alassio 1949
This is a beautiful modern Italian violin by GB Gaibisso, a lesser known but very talented Ligurian maker. It’s in perfect condition and has a great sound.
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Alfred Tubbs Violin Bow, London circa 1915
This is an exceptional bow by Alf Tubbs, dedicated to the 1900 the winner of the Stainer Prize, Dora Robins. Slightly short and light, what was described at the time as a “ladies’ bow”, nonetheless a terrific player and a uniquely collectable Tubbs.
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JA Vigneron Violin Bow, Paris circa 1895
Joseph Arthur Vigneron is for me something of an unsung hero. His bows are great musician’s tools, not refined like Voirin but still exceptionally well made. Here we have a fine example in excellent condition, also an outstanding player.
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Paolo De Barbieri Violin, Genoa 1946
Paolo de Barbieri is a highly respected maker, and a leading figure in the modern Geonese school. For most of his life he produced copies of the del Gesu Cannone, which was gifted to the city of Genoa by Paganini and can still be seen in the Palazzo Tursi. This violin is an unusually attractive example with a rich golden varnish and an outstanding concert tone.
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JS Finkel Viola Bow circa 1990
A very good Finkel “Lefin” viola bow, around 25-30 years old but in perect condition. It plays unusually well for the price, with a rounded, muscular tone and easy control off the string.
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Johannes Franciscus Cuypers (II) Violin, Amsterdam circa 1840
Johannes Franciscus Cuypers (II) was the last in a long line of Dutch makers. All Cuypers instruments share very similar traits, and all are highly prized for their superb tonal qualities. This is a lovely and fine sounding example in great condition.
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Eugène Sartory Cello Bow, Paris circa 1910 (mounts not original)
Eugène Sartory is probably the most popular maker of all time, and his bows are the mainstay of professional musicians the world over. Here we have a very fine cello stick from his best period, very well preserved and of an ideal weight. The mounts are well-fitting copies, probably made for the bow.
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Michael Taylor Viola Bow, Ealing Strings 1989
This is a very fine Peccatte model viola bow made by Michael Taylor for Ealing Strings. The property of a professional player, it’s in excellent condition and draws a big sound.
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A Mittenwald Violin circa 1870
This is a good Mittenwald violin of the Neuner and Hornsteiner type, with a typical deep red varnish that’s slightly craquelled.
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A Mittenwald Small Viola circa 1830
This is a very attractive small viola made in Mittenwald in the early 1800s. It’s in good condition and it has surprisingly warm and full sound.
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WE Hill & Sons Violin Bow, London circa 1970
This is a superb gold and tortoiseshell mounted Hill bow from the 1970s. The bow is branded WE Hill & Son, this brand being reserved for the best quality of sticks. However, we don’t need the brand to tell us what the quality of the bow is, since gold and tortoiseshell Hills are the pinnacle of their output.
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WE Hill & Sons Violin Bow, London circa 1940
This a lovely Hill bow by Arthur Copley, silver mounted, and with its original whalebone lapping. Although it bears the WE Hill & Son stamp reserved for their best bows, it’s a bit tatty here and there, hence the bargain price. There are no significant condition issues, but the frog is chipped and has a repaired crack, the stick’s a bit nibbled here and there, and the silver face plate is slightly dented.
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Dominique Peccatte Violin Bow, Paris circa 1845
Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way. The frog is also Dominique Peccatte but from another bow, and the price reflects this.
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Louis Lowendall Violin, Dresden circa 1900
Rodolfo Fredi Violin, Rome 1927
Rodolfo Fredi was a prolific and successful maker. He produced violins of variying qualities – the better instruments are beautifully made and tonally outstanding. This example is his best quality of work, currently in excellent condition.
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Jacques-Pierre Thibout Violin, Paris 1825
Jacques-Pierre Thibout is perhaps the most artistic of the Parisian makers. He was a contemporary of Nicholas Lupot, and if he had made faithful Strad copies rather than pursuing his own model he would probably be the better known maker. Here we have a beautiful example in immaculate condition – definitely the finest Thibout I have seen and the best sounding too.
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James Steele Violin, London 1924
This is a lovely English violin in the tradition of Joseph Chanot. It’s in pretty much flawless condition and the sound is just great.
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Günter Paulus Violin Bow, Markneukirchen circa 1980
Günter Paulus belongs to a large family of bow-makers stretching back to the 19th century. We have sold a number of his bows – all have been of the highest quality and excellent players.
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Eugène Sartory Violin Bow, Paris circa 1898
WE Hill & Son Violin Bow, London 1939
This is a beautifully preserved Hill bow from 1939 with outstanding tone and playability.
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HR Pfretzschner Violin Bow, Markneukirchen circa 1885
This is a rare early Pfretzschner with some unusual features, made as a copy of an earlier French bow. A great bow for classical repertoire, with a beautiful and luminous tone.
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A Mirecourt 7/8 Violin, Poirsons Label, 1914
This is a fine sounding Mirecourt 7/8 violin, ideal for a smaller player, and very affordable.
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Arthur Bultitude Viola Bow circa 1970
Arthur Bultitude is a highly respected English maker who spent much of his working life at Hills. On leaving the Hill shop he specialised in exquisite bows with ornamental frogs such as this lovely viola bow.
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WE Hill & Son Violin Bow, London 1939
WE Hill & Son bows come in many grades and levels of quality, but this bow must be one of the the best examples. A great player’s bow too, and in unusually fine condition.
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HR Pfretzschner Violin Bow, Markneukirchen circa 1890
This is a fine early Pfretzschner in very good condition – a beautiful piece of bow-making and a phenomenal player.
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Charles Bazin Violin Bow, Mirecourt circa 1960
Charles Bazin was the last of a long line of Mirecourt makers, working alongside his father Louis Bazin for most of his life. He was a very consistent maker, and this bow is a superb player as you would expect.
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Carl Albert Nürnberger Violin Bow, Markneukirchen circa 1930
This is a classic 1930s Nürnberger bow in mint condition, and a very solid player drawing a big tone.
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Adolf Christian Nürnberger Cello Bow, Markneukirchen circa 1880
This is an exceptional cello bow by a very rare maker, not to be confused with Albert Nürnberger. Made from first-class pernambuco reminiscent of FX Tourte wood, and in excellent condition.
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