Joseph Henry Violin Bow, Paris circa 1850
Here is another fine bow by Joseph Henry, perhaps our favourite maker. It’s a strong yet supple stick that produces a massive sound – some wear to the handle but otherwise in excellent condition.
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Author: Anna
Charles Peccatte Violin Bow, Paris circa 1900
Nephew to Dominique Peccatte and son of François, Charles Peccatte was one of the select group of makers who served time in the Vuillaume shop. Here we have a very fine example of his later style, a great playing bow in an excellent state of preservation.
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Louis Gillet Cello Bow, Mirecourt circa 1940
This is an exceptional cello bow by Louis Gillet in near mint condition. It has an octagonal section stick of mid-brown pernambuco with a vivid random figure – mounts of silver and ebony.
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Grand Adam Cello Bow, Paris circa 1840
Another great cello bow from one of the less well known Vuillaume makers, Jean “Grand” Adam. A very attractive bow showing hardly any signs of use over its 150 year life, it makes quite an impression.
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Charles Brugère Viola, Paris 1894
This viola is one of the finest examples of the work of Charles Brugère in existence. The condition is near mint and the sound is warm and responsive.
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A Charles Brugère Workshop Violin labelled Luigeri, Mirecourt 1907
An excellent Mirecourt violin with a fine tone, rather better than your average Collin-Mézin! Lovely size and in near perfect condition.
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Luigi Salsedo Violin 1928
Here’s another lovely Salsedo violin from 1928, slightly bigger and bolder than the other example we have. The main difference is that it’s red not yellow…
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Hawkes & Sons “Tyrolese Violin”, Markneukirchen 1932
A good Hawkes & Sons “Tyrolese Violin” from 1932, this is a fine student instrument in excellent condition – bright, open and responsive in sound.
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A Mirecourt Violin circa 1910, Couesnon Workshops
This is a good Mirecourt violin made in the Couesnon Workshops around 1900-1910. It’s in excellent condition, very attractive in sound and in looks.
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Giuseppe Tarasconi Violin, Saronno 1888
Giovanni & Giuseppe Dollenz Violin, Trieste circa 1855
Matthew Hardie Violin, Edinburgh 1826
Sorry, we don’t have photos of this.
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Albert Nürnberger Violin Bow, Markneukirchen circa 1910
Sorry, we don’t have photos of this.
Charles Nicolas Bazin Cello Bow, Mirecourt circa 1890
Charles Nicolas Bazin is a great maker whose work is still highly undervalued. This is a lovely cello bow in excellent condition, the property of a professional orchestral player.
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Jean Joseph Martin Viola Bow, Paris circa 1880
Jean Joseph Martin is one of the select group of makers who worked for the Vuillaume shop (1858-1863). His work is very individual, and this is an unusually well preserved viola bow of his from around 1870.
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Student violins for sale through teachers
We sell antique violins suitable for students through a network of violin teachers around the world – from Latvia to Los Angeles. If you are a teacher and would like to work with us please get in touch.
Student violin bows for sale through teachers
We sell antique violin bows suitable for students through a network of violin teachers around the world – from Latvia to Los Angeles. If you are a teacher and would like to work with us please get in touch.
Luigi Galimberti Violin, Milan 1930
Galimberti’s work is very close to that of his teacher Antoniazzi, and this violin bears an uncanny resemblance in the model, the varnish and the choice of wood. You might describe this as the classic modern Milanese violin – a broad and elegant Strad model with a rich orange-brown varnish with minimal shading.
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WE Hill & Sons Violin, London 1904
This is a great violin from the Hill workshop – dating from 1904, it’s in a fine state of preservation and it has a concert sound.
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Raffaele Calace Violin, Naples 1895
A fine late 19th century Italian violin by the Neapolitan maker Raffaele Calace. Excellent condition and a warm and seductive voice.
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A Fine German Violin Bow made for Chanot circa 1890
This is an interesting and finely made German bow sold by Chanot of London towards the end of the 19th century. Excellent condition and a bright, nervy stick.
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Francois Peccatte Violin Bow, Paris circa 1845
André Richaume Violin Bow, Paris circa 1965
EA Ouchard Violin Bow, Paris circa 1930
Claude Thomassin Violin Bow, Paris circa 1898
Here we have an early Claude Thomassin made during his time at Gand & Bernardel – another exceptional bow from this highly individual maker.
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Nicolas Maire Violin Bow, Mirecourt circa 1840
Nicolas Maire is a highly respected Mirecourt maker closely associated with Pajeot, but who made the all-important journey to Paris. His style evolved significantly during his working life – this mid-period stick is in immaculate condition and has superb copy mounts by Derek Wilson.
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A Good Mirecourt Violin circa 1920
This is a beautifully preserved early 20th century Mirecourt full-size violin for a smaller player, with a sweet and responsive tone.
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Luigi Salsedo Violin, 1928
“Luigi Salsedo” instruments are well known in the UK, and have always been well regarded for their excellent tonal properties. This is a typical example in excellent condition, with a rich and powerful sound.
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Louis Gillet Viola Bow, Nancy circa 1950
This is a great Gillet viola bow in an outstanding state of preservation – it’s a phenomenal player too, strong but very responsive.
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JA Vigneron Violin Bow, Paris circa 1890
This is a lovely bow by Joseph Arthur Vigneron, one of the outstanding makers of the late 19th century. The wood is spectacular, the condition is excellent, and it’s a great playing stick…
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WE Hill & Sons Violin Bow, London 1931
An unusually fine Hill violin bow from the early 1930s, this silver and tortoiseshell example is in mint condition and plays wonderfully.
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Louis Bazin Violin Bow, Mirecourt circa 1930
Louis Bazin was a third generation bow-maker of consummate skill whose work is still undervalued simply because he worked in Mirecourt and not Paris. This bow is a mighty player and in top condition.
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Louis Morizot Violin Bow, Mirecourt circa 1925
Louis Morizot (Morizot Père) is one of my favourite makers, and here we have a beautiful and collectable bow of his in original condition – a spectacularly good player too.
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Claude Thomassin Violin Bow, Paris circa 1910
This is a beautifully preserved Claude Thomassin made for Paul Jombar – it has a big buttery sound and it’s a real eye-catcher.
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Jules Fétique Violin Bow, Paris circa 1918
Here’s another great Jules Fétique, also made for Caressa & Francais – a very strong, lively player in exemplary condition.
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Pierre Simon Violin Bow, Paris circa 1855
This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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Marcel Fétique Violin Bow, Paris circa 1940
This is a fine and beautifully preserved violin bow by Marcel Fétique – it’s in top condition and it produces a big sound.
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Joseph Lafleur Violin Bow, Paris circa 1835
Joseph René Lafleur is one of a number of great makers whose work sits between that of FX Tourte and the Peccatte school. This bow is very typical of his early work and close to that of his teacher Francois Lupot. It has some minor issues but it’s an outstanding player.
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James Tubbs Violin Bow, London circa 1885
We are serious fans of James Tubbs, and we sell more bows by him than by any other maker. This is a very typical example of his middle period work, with the rounded ferrule, long adjuster and silver face that are his hallmarks. A small crack in the thumb projection of the frog, otherwise in very good condition overall and an excellent player.
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Riccardo Antoniazzi Violin, Milan 1911
Riccardo Antoniazzi is one of the principal members of the modern Milanese school. This lovely violin from his last period is in outstanding condition and the sound is powerful and complex.
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Emanuel Adam Homolka Violin, Velvary 1825
Emanuel Adam Homolka was the most talented maker to emerge from the Strnad workshop in Prague. His violins are rightly valued for their artistry and their tonal qualities. This is a lovely example with a unique silvery timbre.
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Franz Albert Nürnberger Jr. Violin Bow, Markneukirchen circa 1910
The Nürnberger dynasty produced excellent bows for nearly two centuries. This is a beautiful and rather unusual model from the early 20th century in an exceptional state of preservation.
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Marcel Lapierre Viola Bow, Mirecourt circa 1950
Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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Jean Persoit Violin Bow, Paris circa 1820
We are on something of a journey with Persoit, and this is the third bow of his we have offered this year. This one is a very interesting example of his early work. It’s unusually well preserved, and predictably enough it’s a fabulous player.
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Victor Fétique Cello Bow, Paris circa 1925
Victor Fétique is a hugely popular maker – still relatively affordable, his bows are always beautifully executed yet functional. This cello bow has had a good deal of use but remains in very good condition.
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Jean Persoit Violin Bow, Paris circa 1840
Alecio Reis Violin Bow, Brazil/UK 2014
Alecio Reis is a Brazilian bowmaker based in Cheltenham, UK. He has access to some superb pernambuco! This is a very attractive bow which he made for us a few years ago – it has been well used and much loved, but its owner has recently ugraded with us. We’re delighted to offer it again…
Georges Apparut Workshop Violin, Mirecourt 1936
Georges Apparut ran a very successful workshop in MIrecourt between around 1927 and 1948. This violin is from his student range, yet it’s a very fine instrument with a sophisticated tone.
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A Mittenwald Violin, circa 1800
Riccardo Genovese Violin, Montiglio 1926
Riccardo Genovese was the principal student of Annibale Fagnola, but his work is softer and the sound always more successful. This is a fine example in great condition with a powerful and very even sound.
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Nicolas Simon Violin Bow, Mirecourt circa 1850
Marcel Lapierre Viola Bow, Mirecourt circa 1960
This is a very attractive viola bow by Marcel Lapierre. Branded twice and dated 1960 under the frog, it’s in excellent condition – it’s also a remarkable player for its price.
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WE Hill & Sons Violin Bow, William Johnston circa 1935
Yet one more excellent Hill bow, this time a fine early gold and tortoiseshell example with a stick by WIlliam Johnston, the frog bearing marks for Bultitude. Some wear to the stick but generally in very fine condition, and a lovely golden tone.
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Louis Gillet Violin Bow, Paris circa 1935
Louis Gillet is best known as the maker of many late Sartory bows, but he was a formidable maker in his own right. This is an unusually attactive example – a very well balanced stick in top condition.
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Charles Claude Husson Violin Bow, Paris circa 1895
This is a very fine violin bow by Charles Claude Husson, one of the last makers to join the Vuillaume workshop. It’s in excellent condition and an outstanding player with a bright, open sound.
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Hippolyte Camille Lamy Viola Bow, Paris 1927
Hippolyte Camille Lamy is one of the most precise and gifted makers of the early 20th century – here we have an exceptional gold and ivory viola bow in mint condition.
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Joseph Lafleur Violin Bow, Paris circa 1830
William & James Tubbs Cello Bow, London circa 1860
Sorry, we don’t have photos of this bow.
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WE Hill & Sons Cello Bow, Sydney Yeoman circa 1920
A beautifully preserved cello bow in silver and tortoiseshell by one of the early Hill makers, Sydney Yeoman.
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WE Hill & Sons Viola Bow by William Johnston circa 1900
Franz Albert Nurnberger Violin Bow, Markneukirchen circa 1895
This beautiful bow is one of the best Nürnbergers we have seen, and without doubt the finest we have ever had for sale. It’s a gold mounted example in excellent condition with exceptional playing qualities.
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Albert Nurnberger Violin Bow, Markneukirchen circa 1935
Here we have a near-mint Carl Albert Nürnberger, a splendid, austere looking bow with a big fruity sound.
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Jules Fétique Violin Bow, Paris circa 1920
Jules Fétique has a bit of a cult following amongst bow aficionados. This is a lovely example made during his time at Caressa & Français, currently in very good condition.
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Marco Raposo Violin Bow, Brazil
Fornaciari Jr. Violin Bow, Brazil circa 2008
Fornaciari Jr. bows are made in Brazil and are very popular in the US. There’s a wide range of models – this bow is at the top of the range, made with excellent pernambuco and with full silver mounts.
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WE Hill & Son Violin Bow, Sydney Yeoman circa 1930
Another good Hill violin bow, this time the work of Sydney Yeoman – very well preserved, and a strong, smooth player.
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WE Hill & Son Violin Bow, Frank Napier circa 1925
This is a good Hill bow made by Frank Napier, who worked for Hills between 1900 and 1930. It’s in good condition and plays beautifully.
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Pierre Simon Violin Bow, Paris circa 1855 (later copy mounts)
This is an exceptional Pierre Simon stick made for Vuillaume, with later copy mounts. The stick is in near-mint condition and the playability is all you would expect from one of the greatest makers of the 19th century.
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Claude Thomassin Violin Bow, Paris circa 1910
Claude Thomassin is one of the most undervalued makers of the early 20th century, and his bows are finally being recognized for their originality. Although still affordable, we are seeing values rising quite dramatically in the last 3-4 years. This example has a typically direct yet refined sound – the condition is excellent though the adjuster is a later copy.
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William R Retford Violin Bow, London circa 1930
WE Hill & Sons Violin Bow, Arthur Scarbrow 1936
A good Hill bow from 1936, made by Arthur Scarbrow. Branded “Hill” and with a plain frog with no back plate, this is nonetheless a great player’s bow in excellent condition.
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Eugene Sartory Violin Bow, Paris circa 1925
Nicolas Simon Violin Bow, Mirecourt circa 1860
Nicolas Simon (also known as Simon Fr.) is a superb maker whose life and origins are still poorly documented. All we can say with certainty is that he made exceptional bows broadly in the style of Peccatte. This example is a great player’s bow, and very affordable thanks to a couple of minor condition issues.
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Joseph Henry Violin Bow, Paris circa 1855
This is a very fine Joseph Henry in excellent condition. I have a particular soft spot for Henry, and this bow doesn’t disappoint in looks or in playability. It’s a top level bow for a serious professional.
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Eugene Sartory Violin Bow, Paris circa 1910
FX Tourte Violin Bow, Paris circa 1805
WE Hill & Son Violin Bow, London circa 1910
This is a remarkable early Hill bow in gold and tortoiseshell made by Sydney Yeoman. It’s in exceptional condition for its age – a highly desirable collector’s item but also a great playing bow.
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Eugene Sartory Violin Bow, Paris circa 1920
Ansaldo Poggi Viola, Bologna 1954
Antonio Gagliano Violin, Naples 1845
James Tubbs Violin Bow, London circa 1880
Here we have a very attractive middle period James Tubbs violin bow, engraved DM/MD to the ferrule. Exceptional flamed pernambuco, a strong yet supple stick, and a gorgeous sound.
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James Tubbs Violin Bow, London circa 1900
FW Chanot Violin, London circa 1890
FW Chanot belongs to a distinguished line of violin-makers and experts. This violin is a beautifully preserved del Gesu copy with a powerful and supremely well balanced tone.
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Antonius Pilar Violin, Stará Paka 1944
Antonín Pilaš belonged to one of the great Czech violin-making dynasties, members of which are still active today. This is a very well preserved example of his wartime production – it’s a great sounding instrument with a big bright sound.
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Small Viola probably by Francesco Maurizi, Appignano circa 1840
A Fine Anonymous Violin, mid 19th Century
This is a violin which has so far resisted all attempts at identification. Made in the copy style, most likely by the Dollenz family in Trieste, it’s an outstanding concert instrument with a rich, complex, bright voice.
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Torleiv Frøysaa Hardanger, Gjøvik 1910
Jacques-Pierre Thibout Violin, Paris 1832
Jacques Pierre Thibout is considered to be one of the best Parisian makers of the early 19th century. We have two violins of his at the moment, this one very much a player’s instrument with some minor restoration and a big bold sound.
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Vila Kužel Violin, Brno 1965
This is a very good modern Czech violin by Vilém Kužel. Meticulous craftsmanship on a Guarneri model, fine materials and an excellent sound.
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Julius Hubička Violin, Prague 1943
This is an exceptional example of the work of Julius Hubička, a highly productive but maddeningly inconsistent maker of the early 20th century. This particular violin ticks all the boxes – great sound, great condition, great price.
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Richard Grünke Cello Bow, Bubenreuth circa 1980
An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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Louis Gillet Viola Bow, Nancy circa 1940
Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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Karel Pilař Violin, Hradec Králové 1941
EA Ouchard Violin Bow, France, circa 1930
Sorry, we don’t have photos of this.
Joseph Hel Violin, Lille 1889
Paul Bailly Violin, London 1890
Here we have another excellent Paul Bailly from 1890 – it’s a very responsive instrument in excellent condition, and a great example of this maker’s work.
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Piero Parravicini Viola, Bovisio (Milan) 1952
JB LeFebvre Violin, Amsterdam 1760
This is a rare and very pretty violin by the 18th century Dutch maker Jacques LeFebvre – it’s a superb sounding instrument in good restored condition.
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Victor Fétique Violin Bow, Paris, circa 1925
Another great Fétique bow, this one gold-mounted – a heavy but lively bow for a power player, and in very good condition.
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Giuseppe Rocca Viola, Turin 1858
This is a remarkable small viola by Giuseppe Rocca in a very pure state of preservation, and with a tonal quality that’s quite astounding for the size.
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Alberto Guerra Viola, Modena 1957
Made by Alberto Guerra, this is an excellent yet affordable modern Italian viola of good proportions with a warm, fruity sound. It has a slightly “lived-in” appearance but is free from any condition issues.
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Marino Capicchioni Viola, Rimini 1954
This is a fine Italian viola of ideal proportions made by Marino Capicchioni in 1954 – it’s an unusually attractive example in excellent condition, with a big and bold sound.
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Ch.JB Collin-Mézin Violin, Paris 1885
EF Ouchard Cello Bow, Mirecourt circa 1930
This is a very nice cello bow by EF Ouchard, a prolific and undervalued maker. It’s in good condition and plays very well.
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Célestin Emile Clasquin Violin Bow, Paris circa 1910
Louis Morizot Violin Bow, Mirecourt circa 1920
James Tubbs Viola Bow, London circa 1870
Castello School Viola, Genoa circa 1760
Sorry, we don’t have photos of this.
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Karel Pilar Violin, Prague circa 1940
Sorry, we don’t have photos of this.
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EA Ouchard Cello Bow, Paris circa 1930
Sorry, we don’t have photos of this.
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Pierre Silvestre Violin, Paris circa 1850
Sorry, we don’t have photos of this.
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Otakar Spidlen Violin, Prague 1927
Sorry, we don’t have photos of this.
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Etienne Pajeot Violin Bow circa 1840
Eugène Sartory Violin Bow, Paris circa 1900
Eugène Sartory Violin Bow, Paris circa 1915
Sorry, we don’t have photos of this.
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WE Hill & Sons Violin Bow, London circa 1910
This is a beautifully preserved early Hill bow, the work of William Napier according to the late Bill Watson. Well balanced, a great weight, and a clear full tone.
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Paul Bailly Violin, Paris circa 1875
Sorry, we don’t have photos of this.
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JA Vigneron Cello Bow, Paris circa 1905
Here we have a beautifully preserved cello bow by JA Vigneron, a highly respected maker of the late 19th century.
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Joseph Henry Cello Bow, Paris circa 1865
This is an exceptional cello bow by Joseph Henry, one of the greatest of 19th century makers.
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Nicolo Gagliano Violin, Naples circa 1770
This is a fine violin by Nicolo Gagliano, made in 1761 and bearing its original label. It’s a particularly attractive example with a sublime tone.
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HC Silvestre Workshop Violin, Paris, circa 1890
This is a lovely violin from the late 19th century bearing an authentic Silvestre label, but most likely a bought-in Mirecourt instrument. It has a terrific sound, and it would be ideal for a talented young player.
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A Fine Prague/Vienna Violin, circa 1800
Nicolas Simon Violin Bow, Paris circa 1840
Sorry, we don’t have photos of this.
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Marcel Lapierre Violin Bow, Mirecourt circa 1950
Marcel Lapierre is a highly under-rated French maker, and his bows represent exceptional value for money. This is a well preserved example with great playing qualities.
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Marie Louis Piernot Violin Bow, Paris circa 1925
Marie Louis Piernot Violin Bow, Paris circa 1925
This is a very fine example of the work of Marie Louis Piernot, one of the more under-rated of early 20th century makers. The bow is in excellent condition and draws a mighty sound.
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Jules Fétique Violin Bow, Paris circa 1925
James Tubbs Violin Bow, London circa 1910
Tomáš Hulinzky Violin, Prague 1776
Hulinsky is one of the most interesting Prague makers of the 18th century, and this is a very refined example of his work. Beautiful craftsmanship, great wood, and a first class sound.
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Jean Persoit Violin Bow, Paris circa 1830
EF&EA Ouchard Violin Bow, Mirecourt circa 1925
Here is another “collaboration” bow, made in the workshop of EF Ouchard but showing the hand of his son EA Ouchard. Made for Lucien Schmidt of Grenoble, this is a very high quality stick with an excellent playing character. Very good condition too.
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WE Hill & Son Violin Bow, William Johnston circa 1900
Everyone is familiar with the quality of Hill bows – here we have a very early silver and ivory example from around 1900 bearing the maker’s mark of William Johnston (first mark with vertical nicks). The sound is first class and the condition is unusually good.
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Mars Auguste Husson Violin Bow, Paris circa 1925
This is a very fine and rare ivory-mounted bow by Auguste Husson, a Parisian maker of the early 20th century. It’s in excellent condition and is a top class player.
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Georges Chanot Violin, Paris circa 1835
Georges Chanot is generally regarded as the finest French violin maker after Nicolas Lupot. He was a renowned conoisseur of Italian violins, and his del Gesu copies are particularly sought after. This is a great example, and the sound is as good as it gets.
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Gand & Bernardel Violin, Paris 1866
FN Voirin Violin Bow, Paris circa 1885
Joseph Henry Violin Bow, Paris circa 1850
Eugène Sartory Violin Bow, Paris circa 1925
FN Voirin Viola Bow, Paris circa 1875
Hermann Prell Violin Bow, Markneukirchen circa 1920
This is the second bow we have by Hermann Prell, whose main claim to fame was the fact that he worked briefly for Sartory. Here we have a fine silver-mounted example in unblemished condition, and a great all-round player.
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WE Hill & Son Violin Bow, London 1959 (gold & tortoiseshell fleur de lys)
WE Hill & Son Violin Bow, London 1957
This is a fine gold mounted Hill bow from 1957, the stick made by Arthur Copley. It’s in excellent condition and its playing qualities are quintessentially Hill – unpretentious and utterly reliable!
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HR Pfretzschner Violin Bow, Markneukirchen circa 1920
This is a rare and exquisite gold and tortoiseshell HR Pfretzschner from around 1920. It’s in excellent condition and it plays beautifully with a muscular warm sound.
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Stephane Muller Viola Bow, Toulouse circa 1990
This is a beautifully made viola bow by contemporary French maker Stéphane Muller, bearing the serial number 9589. The wood is outstanding, the condition is very good, and the sound is bold and solistic.
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Noel Burke Viola Bow, Carlow, 2018
G B Gaibisso Violin, Alassio 1949
This is a beautiful modern Italian violin by GB Gaibisso, a lesser known but very talented Ligurian maker. It’s in perfect condition and has a great sound.
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Alfred Tubbs Violin Bow, London circa 1915
This is an exceptional bow by Alf Tubbs, dedicated to the 1900 the winner of the Stainer Prize, Dora Robins. Slightly short and light, what was described at the time as a “ladies’ bow”, nonetheless a terrific player and a uniquely collectable Tubbs.
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JA Vigneron Violin Bow, Paris circa 1895
Joseph Arthur Vigneron is for me something of an unsung hero. His bows are great musician’s tools, not refined like Voirin but still exceptionally well made. Here we have a fine example in excellent condition, also an outstanding player.
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JS Finkel Viola Bow circa 1990
Eugène Sartory Cello Bow, Paris circa 1910 (mounts not original)
Eugène Sartory is probably the most popular maker of all time, and his bows are the mainstay of professional musicians the world over. Here we have a very fine cello stick from his best period, very well preserved and of an ideal weight. The mounts are well-fitting copies, probably made for the bow.
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