Alessandro Carlesso makes superb bows from Brazilian pernambuco – his work is very fine and the wood is outstanding. This bow has a round stick of very dark wood and is silver mounted with an ornamental adjuster.
A very dense stick, giving a lot of power for the weight – not brand new but with minimal wear. More details
A good cello bow from the Bausch workshop, dating from the early 1900s. More details
£5,000 On trial
Paul Weidhaas is one of the most respected of early 20th century German bow-makers. Here we have a fine cello bow made in the French style, and in unusually pristine condition. More details
The workshops of Marc Laberte produced a huge range of instruments and bows in the early 20th century – their silver-mounted bows are of consistently high quality. More details
An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century. More details
This is an exceptional cello bow by a very rare maker, not to be confused with Albert Nürnberger. Made from first-class pernambuco reminiscent of FX Tourte wood, and in excellent condition. More details
Another lovely cello bow by one of the more reliable 20th century makers. This example is very strong – the condition is excellent apart from a chip in the end of the stick by the adjuster and a bit of repairwork to the back plate. More details
Victor Fétique is a hugely popular maker – still relatively affordable, his bows are always beautifully executed yet functional. This cello bow has had a good deal of use but remains in very good condition. More details
FN Voirin is the most highly regarded maker of the late 19th century – his work is particularly admired for its precision and beauty. In spite of their lightness his bows are much in demand for their luminous tone. Here we have a lovely lightweight cello bow, very strong for its weight and in excellent condition. More details
Joseph Alfred Lamy (or Lamy Père) stands slightly in the shadow of his teacher and mentor FN Voirin, but his work oozes elegance and finesse. Lamy’s cello bows are particularly fine, with the most beautiful elongated head shape. This is a lovely example in fine condition – deep red round section pernambuco stick, silver and ebony mounts with a plain eye and 3-part adjuster. More details
Eugène Sartory is probably the most popular maker of all time, and his bows are the mainstay of professional musicians the world over. Here we have a very fine cello bow from his best period, very well preserved and of an ideal weight. More details
Etienne Pajeot is one of the great early French makers, and his bows are highly sought after for their excellent technical qualities. This is a relatively rare early cello bow in good condition.
Jean “Grand” Adam is a maker whose genius has only recently been acknowledged. Here we have an excellent stick dating from around 1850, fitted with new copy mounts. More details
£60,000 On trial
Pierre Simon is one of the great bowmakers of the mid 19th century, closely associated with Dominique Peccatte and Joseph Henry, but working in his own distinctive manner. Simon bows engender a quite fanatical devotion on the part of their owners – their combination of robustness and agility is unique.
This bow is a composite – all by Simon, but the mounts from another bow. There are some signs of use but generally the bow is in excellent condition. More details