Martin Swan Violins Alessandro Carlesso makes superb bows from Brazilian pernambuco – his work is very fine and the wood is outstanding. This bow has a round stick of very dark wood and is silver mounted with an ornamental adjuster.
A very dense stick, giving a lot of power for the weight – not brand new but with minimal wear.
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This is a rather superior modern German bow with decorative mounts – it’s a stiff and powerful stick in a shorter length, ideal for a smaller player.
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A good cello bow from the Bausch workshop, dating from the early 1900s.
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Paul Weidhaas is one of the most respected of early 20th century German bow-makers. Here we have a fine cello bow made in the French style, and in unusually pristine condition.
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The workshops of Marc Laberte produced a huge range of instruments and bows in the early 20th century – their silver-mounted bows are of consistently high quality.
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An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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This is a fine mid-19th century English cello bow, most likely made in the workshop of William Tubbs. It’s a rare and collectable bow in excellent original condition.
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This is an exceptional cello bow by a very rare maker, not to be confused with Albert Nürnberger. Made from first-class pernambuco reminiscent of FX Tourte wood, and in excellent condition.
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This is a very nice cello bow by EF Ouchard, a prolific and undervalued maker. It’s in good condition and plays very well.
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A beautifully preserved cello bow in silver and tortoiseshell by one of the early Hill makers, Sydney Yeoman.
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Another lovely cello bow by one of the more reliable 20th century makers. This example is very strong – the condition is excellent apart from a chip in the end of the stick by the adjuster and a bit of repairwork to the back plate.
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FN Voirin is the most highly regarded maker of the late 19th century – his work is particularly admired for its precision and beauty. In spite of their lightness his bows are much in demand for their luminous tone. Here we have a lovely lightweight cello bow, very strong for its weight and in excellent condition.
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Joseph Alfred Lamy (or Lamy Père) stands slightly in the shadow of his teacher and mentor FN Voirin, but his work oozes elegance and finesse. Lamy’s cello bows are particularly fine, with the most beautiful elongated head shape. This is a lovely example in fine condition – deep red round section pernambuco stick, silver and ebony mounts with a plain eye and 3-part adjuster.
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Here we have a beautifully preserved cello bow by JA Vigneron, a highly respected maker of the late 19th century.
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Eugène Sartory is probably the most popular maker of all time, and his bows are the mainstay of professional musicians the world over. Here we have a very fine cello stick from his best period, very well preserved and of an ideal weight. The mounts are well-fitting copies, probably made for the bow.
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This is an exceptional gold-mounted Lamy cello bow in near-mint condition.
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Jean (Grand) Adam is the best known and most highly valued of the Adam makers. He worked in the prestigious Vuillaume shop, but his bows are most often compared to those of FX Tourte.
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Etienne Pajeot is one of the great early French makers, and his bows are highly sought after for their excellent technical qualities. This is a relatively rare early cello bow in good condition.
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Pierre Simon is one of the great bowmakers of the mid 19th century, closely associated with Dominique Peccatte and Joseph Henry, but working in his own distinctive manner. Simon bows engender a quite fanatical devotion on the part of their owners – their combination of robustness and agility is unique.
This bow is a composite – all by Simon, but the mounts from another bow. There are some signs of use but generally the bow is in excellent condition.
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This is an exceptional cello bow by Joseph Henry, one of the greatest of 19th century makers.
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