Martin Swan Violins Alessandro Carlesso makes superb bows from Brazilian pernambuco – his work is very fine and the wood is outstanding. This bow has a round stick of very dark wood and is silver mounted with an ornamental adjuster.
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This is a rather superior modern German bow with decorative mounts – it’s a stiff and powerful stick in a shorter length, ideal for a smaller player.
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A good cello bow from the Bausch workshop, dating from the early 1900s.
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The workshops of Marc Laberte produced a huge range of instruments and bows in the early 20th century – their silver-mounted bows are of consistently high quality.
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Paul Weidhaas is one of the most respected of early 20th century German bow-makers. Here we have a fine cello bow made in the French style, and in unusually pristine condition.
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Hill bows have a well deserved reputation amongst professional players – here we have a nice “HILL” stamped cello bow from 1932.
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An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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Charles Nicolas Bazin is a great maker whose work is still highly undervalued. This is a lovely cello bow in excellent condition, the property of a professional orchestral player.
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A beautifully preserved cello bow in silver and tortoiseshell by one of the early Hill makers, Sydney Yeoman.
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Another splendid cello bow by Thomas Tubbs, made for Simon Andrew Forster – beautifully preserved and retaining all its original “goldfish” pearl.
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Another lovely cello bow by one of the more reliable 20th century makers. This example is very strong – the condition is excellent apart from a chip in the end of the stick by the adjuster and a bit of repairwork to the back plate.
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This is a beautiful example of the work of Thomas Tubbs, and one of the best early 19th century English cello bows you could hope to find.
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This is an exceptional cello bow by Louis Gillet in near mint condition. It has an octagonal section stick of mid-brown pernambuco with a vivid random figure – mounts of silver and ebony.
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FN Voirin is the most highly regarded maker of the late 19th century – his work is particularly admired for its precision and beauty. In spite of their lightness his bows are much in demand for their luminous tone. Here we have a lovely lightweight cello bow, very strong for its weight and in excellent condition.
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Jean (Grand) Adam is the best known and most highly valued of the Adam makers. He worked in the prestigious Vuillaume shop, but his bows are most often compared to those of FX Tourte.
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Etienne Pajeot is one of the great early French makers, and his bows are highly sought after for their excellent technical qualities. This is a relatively rare early cello bow in good condition.
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Pierre Simon is one of the great bowmakers of the mid 19th century, closely associated with Dominique Peccatte and Joseph Henry, but working in his own distinctive manner. Simon bows engender a quite fanatical devotion on the part of their owners – their combination of robustness and agility is unique.
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Another great cello bow from one of the less well known Vuillaume makers, Jean “Grand” Adam. A very attractive bow showing hardly any signs of use over its 150 year life, it makes quite an impression.
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This is an exceptional cello bow by Joseph Henry, one of the greatest of 19th century makers.
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