WE Hill & Sons Violin, London 1904
This is a great violin from the Hill workshop – dating from 1904, it’s in a fine state of preservation and it has a concert sound.
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Stock Status: Available
Raffaele Calace Violin, Naples 1895
A fine late 19th century Italian violin by the Neapolitan maker Raffaele Calace. Excellent condition and a warm and seductive voice.
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A Fine German Violin Bow made for Chanot circa 1890
This is an interesting and finely made German bow sold by Chanot of London towards the end of the 19th century. Excellent condition and a bright, nervy stick.
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Franz Albert Nürnberger Jun. Violin Bow, Markneukirchen circa 1920
A classic Tourte model bow by Franz Albert Nürnberger (junior) – in outstanding condition and with a typically mature and rounded sound.
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Claude Thomassin Violin Bow, Paris circa 1898
Here we have an early Claude Thomassin made during his time at Gand & Bernardel – another exceptional bow from this highly individual maker.
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Nicolas Maire Violin Bow, Mirecourt circa 1840
Nicolas Maire is a highly respected Mirecourt maker closely associated with Pajeot, but who made the all-important journey to Paris. His style evolved significantly during his working life – this mid-period stick is in immaculate condition and has superb copy mounts by Derek Wilson.
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A Good Mirecourt Violin circa 1920
This is a beautifully preserved early 20th century Mirecourt full-size violin for a smaller player, with a sweet and responsive tone.
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Luigi Salsedo Violin, 1928
“Luigi Salsedo” instruments are well known in the UK, and have always been well regarded for their excellent tonal properties. This is a typical example in excellent condition, with a rich and powerful sound.
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Louis Gillet Viola Bow, Nancy circa 1950
This is a great Gillet viola bow in an outstanding state of preservation – it’s a phenomenal player too, strong but very responsive.
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JA Vigneron Violin Bow, Paris circa 1890
This is a lovely bow by Joseph Arthur Vigneron, one of the outstanding makers of the late 19th century. The wood is spectacular, the condition is excellent, and it’s a great playing stick…
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WE Hill & Sons Violin Bow, London 1931
An unusually fine Hill violin bow from the early 1930s, this silver and tortoiseshell example is in mint condition and plays wonderfully.
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Louis Bazin Violin Bow, Mirecourt circa 1930
Louis Bazin was a third generation bow-maker of consummate skill whose work is still undervalued simply because he worked in Mirecourt and not Paris. This bow is a mighty player and in top condition.
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Louis Morizot Violin Bow, Mirecourt circa 1925
Louis Morizot (Morizot Père) is one of my favourite makers, and here we have a beautiful and collectable bow of his in original condition – a spectacularly good player too.
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Claude Thomassin Violin Bow, Paris circa 1910
This is a beautifully preserved Claude Thomassin made for Paul Jombar – it has a big buttery sound and it’s a real eye-catcher.
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Jules Fétique Violin Bow, Paris circa 1918
Here’s another great Jules Fétique, also made for Caressa & Francais – a very strong, lively player in exemplary condition.
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Pierre Simon Violin Bow, Paris circa 1855
This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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Marcel Fétique Violin Bow, Paris circa 1940
This is a fine and beautifully preserved violin bow by Marcel Fétique – it’s in top condition and it produces a big sound.
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Joseph Lafleur Violin Bow, Paris circa 1835
Joseph René Lafleur is one of a number of great makers whose work sits between that of FX Tourte and the Peccatte school. This bow is very typical of his early work and close to that of his teacher Francois Lupot. It has some minor issues but it’s an outstanding player.
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James Tubbs Violin Bow, London circa 1885
We are serious fans of James Tubbs, and we sell more bows by him than by any other maker. This is a very typical example of his middle period work, with the rounded ferrule, long adjuster and silver face that are his hallmarks. A small crack in the thumb projection of the frog, otherwise in very good condition overall and an excellent player.
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Riccardo Antoniazzi Violin, Milan 1911
Riccardo Antoniazzi is one of the principal members of the modern Milanese school. This lovely violin from his last period is in outstanding condition and the sound is powerful and complex.
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Emanuel Adam Homolka Violin, Velvary 1825
Emanuel Adam Homolka was the most talented maker to emerge from the Strnad workshop in Prague. His violins are rightly valued for their artistry and their tonal qualities. This is a lovely example with a unique silvery timbre.
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R&M Millant Violin, Paris 1956
This is an exceptional modern French violin by the renowned partnership of R&M Millant. It’s in top condition and the sound is big and brilliant, suitable for the concert stage.
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Franz Albert Nürnberger Jr. Violin Bow, Markneukirchen circa 1910
The Nürnberger dynasty produced excellent bows for nearly two centuries. This is a beautiful and rather unusual model from the early 20th century in an exceptional state of preservation.
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Marcel Lapierre Viola Bow, Mirecourt circa 1950
Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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Jean Persoit Violin Bow, Paris circa 1820
We are on something of a journey with Persoit, and this is the third bow of his we have offered this year. This one is a very interesting example of his early work. It’s unusually well preserved, and predictably enough it’s a fabulous player.
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Victor Fétique Cello Bow, Paris circa 1925
Victor Fétique is a hugely popular maker – still relatively affordable, his bows are always beautifully executed yet functional. This cello bow has had a good deal of use but remains in very good condition.
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Alecio Reis Violin Bow, Brazil/UK 2014
Alecio Reis is a Brazilian bowmaker based in Cheltenham, UK. He has access to some superb pernambuco! This is a very attractive bow which he made for us a few years ago – it has been well used and much loved, but its owner has recently ugraded with us. We’re delighted to offer it again…
Giuseppe Tarasconi Violin, Saronno 1888
Giuseppe Tarasconi is one of our favourite makers, a musician turned violin-maker who produced first-class instruments whilst retaining an immediately recognizeable style. This violin is a great example – in excellent condition and with a beautiful sound.
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Riccardo Genovese Violin, Montiglio 1926
Riccardo Genovese was the principal student of Annibale Fagnola, but his work is softer and the sound always more successful. This is a fine example in great condition with a powerful and very even sound.
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Marcel Lapierre Viola Bow, Mirecourt circa 1960
This is a very attractive viola bow by Marcel Lapierre. Branded twice and dated 1960 under the frog, it’s in excellent condition – it’s also a remarkable player for its price.
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WE Hill & Sons Violin Bow, William Johnston circa 1935
Yet one more excellent Hill bow, this time a fine early gold and tortoiseshell example with a stick by WIlliam Johnston, the frog bearing marks for Bultitude. Some wear to the stick but generally in very fine condition, and a lovely golden tone.
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Louis Gillet Violin Bow, Paris circa 1935
Louis Gillet is best known as the maker of many late Sartory bows, but he was a formidable maker in his own right. This is an unusually attactive example – a very well balanced stick in top condition.
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Charles Claude Husson Violin Bow, Paris circa 1895
This is a very fine violin bow by Charles Claude Husson, one of the last makers to join the Vuillaume workshop. It’s in excellent condition and an outstanding player with a bright, open sound.
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Hippolyte Camille Lamy Viola Bow, Paris 1927
Hippolyte Camille Lamy is one of the most precise and gifted makers of the early 20th century – here we have an exceptional gold and ivory viola bow in mint condition.
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WE Hill & Sons Cello Bow, Sydney Yeoman circa 1920
A beautifully preserved cello bow in silver and tortoiseshell by one of the early Hill makers, Sydney Yeoman.
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Franz Albert Nurnberger Violin Bow, Markneukirchen circa 1895
This beautiful bow is one of the best Nürnbergers we have seen, and without doubt the finest we have ever had for sale. It’s a gold mounted example in excellent condition with exceptional playing qualities.
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Albert Nurnberger Violin Bow, Markneukirchen circa 1935
Here we have a near-mint Carl Albert Nürnberger, a splendid, austere looking bow with a big fruity sound.
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Jules Fétique Violin Bow, Paris circa 1920
Jules Fétique has a bit of a cult following amongst bow aficionados. This is a lovely example made during his time at Caressa & Français, currently in very good condition.
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Fornaciari Jr. Violin Bow, Brazil circa 2008
Fornaciari Jr. bows are made in Brazil and are very popular in the US. There’s a wide range of models – this bow is at the top of the range, made with excellent pernambuco and with full silver mounts.
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WE Hill & Son Violin Bow, Sydney Yeoman circa 1930
Another good Hill violin bow, this time the work of Sydney Yeoman – very well preserved, and a strong, smooth player.
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WE Hill & Son Violin Bow, Frank Napier circa 1925
This is a good Hill bow made by Frank Napier, who worked for Hills between 1900 and 1930. It’s in good condition and plays beautifully.
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Pierre Simon Violin Bow, Paris circa 1855
This is an exceptional Pierre Simon stick made for Vuillaume, with later copy mounts. The stick is in near-mint condition and the playability is all you would expect from one of the greatest makers of the 19th century.
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Claude Thomassin Violin Bow, Paris circa 1910
Claude Thomassin is one of the most undervalued makers of the early 20th century, and his bows are finally being recognized for their originality. Although still affordable, we are seeing values rising quite dramatically in the last 3-4 years. This example has a typically direct yet refined sound – the condition is excellent though the adjuster is a later copy.
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WE Hill & Sons Violin Bow, Arthur Scarbrow 1936
A good Hill bow from 1936, made by Arthur Scarbrow. Branded “Hill” and with a plain frog with no back plate, this is nonetheless a great player’s bow in excellent condition.
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Nicolas Simon Violin Bow, Mirecourt circa 1860
Nicolas Simon (also known as Simon Fr.) is a superb maker whose life and origins are still poorly documented. All we can say with certainty is that he made exceptional bows broadly in the style of Peccatte. This example is a great player’s bow, and very affordable thanks to a couple of minor condition issues.
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WE Hill & Son Violin Bow, London circa 1910
This is a remarkable early Hill bow in gold and tortoiseshell made by Sydney Yeoman. It’s in exceptional condition for its age – a highly desirable collector’s item but also a great playing bow.
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James Tubbs Violin Bow, London circa 1880
Here we have a very attractive middle period James Tubbs violin bow, engraved DM/MD to the ferrule. Exceptional flamed pernambuco, a strong yet supple stick, and a gorgeous sound.
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FW Chanot Violin, London circa 1890
FW Chanot belongs to a distinguished line of violin-makers and experts. This violin is a beautifully preserved del Gesu copy with a powerful and supremely well balanced tone.
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Antonius Pilar Violin, Stará Paka 1944
Antonín Pilaš belonged to one of the great Czech violin-making dynasties, members of which are still active today. This is a very well preserved example of his wartime production – it’s a great sounding instrument with a big bright sound.
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Jacques-Pierre Thibout Violin, Paris 1832
Jacques Pierre Thibout is considered to be one of the best Parisian makers of the early 19th century. We have two violins of his at the moment, this one very much a player’s instrument with some minor restoration and a big bold sound.
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Vila Kužel Violin, Brno 1965
This is a very good modern Czech violin by Vilém Kužel. Meticulous craftsmanship on a Guarneri model, fine materials and an excellent sound.
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Julius Hubička Violin, Prague 1943
This is an exceptional example of the work of Julius Hubička, a highly productive but maddeningly inconsistent maker of the early 20th century. This particular violin ticks all the boxes – great sound, great condition, great price.
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Richard Grünke Cello Bow, Bubenreuth circa 1980
An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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Louis Gillet Viola Bow, Nancy circa 1940
Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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Paul Bailly Violin, London 1890
Here we have another excellent Paul Bailly from 1890 – it’s a very responsive instrument in excellent condition, and a great example of this maker’s work.
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JB LeFebvre Violin, Amsterdam 1760
This is a rare and very pretty violin by the 18th century Dutch maker Jacques LeFebvre – it’s a superb sounding instrument in good restored condition.
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Victor Fétique Violin Bow, Paris, circa 1925
Another great Fétique bow, this one gold-mounted – a heavy but lively bow for a power player, and in very good condition.
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Giuseppe Rocca Viola, Turin 1858
This is a remarkable small viola by Giuseppe Rocca in a very pure state of preservation, and with a tonal quality that’s quite astounding for the size.
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Alberto Guerra Viola, Modena 1957
Made by Alberto Guerra, this is an excellent yet affordable modern Italian viola of good proportions with a warm, fruity sound. It has a slightly “lived-in” appearance but is free from any condition issues.
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Marino Capicchioni Viola, Rimini 1954
This is a fine Italian viola of ideal proportions made by Marino Capicchioni in 1954 – it’s an unusually attractive example in excellent condition, with a big and bold sound.
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WE Hill & Sons Violin Bow, London circa 1910
This is a beautifully preserved early Hill bow, the work of William Napier according to the late Bill Watson. Well balanced, a great weight, and a clear full tone.
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JA Vigneron Cello Bow, Paris circa 1905
Here we have a beautifully preserved cello bow by JA Vigneron, a highly respected maker of the late 19th century.
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Joseph Henry Cello Bow, Paris circa 1865
This is an exceptional cello bow by Joseph Henry, one of the greatest of 19th century makers.
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Nicolo Gagliano Violin, Naples circa 1770
This is a fine violin by Nicolo Gagliano, made in 1761 and bearing its original label. It’s a particularly attractive example with a sublime tone.
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HC Silvestre Workshop Violin, Paris, circa 1890
This is a lovely violin from the late 19th century bearing an authentic Silvestre label, but most likely a bought-in Mirecourt instrument. It has a terrific sound, and it would be ideal for a talented young player.
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Marcel Lapierre Violin Bow, Mirecourt circa 1950
Marcel Lapierre is a highly under-rated French maker, and his bows represent exceptional value for money. This is a well preserved example with great playing qualities.
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Marie Louis Piernot Violin Bow, Paris circa 1925
This is a very fine example of the work of Marie Louis Piernot, one of the more under-rated of early 20th century makers. The bow is in excellent condition and draws a mighty sound.
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Claude Thomassin Violin Bow, Paris circa 1890
Claude Thomassin was a very talented and highy individual maker. Here we have a nickel mounted example in near mint condition with a typically refined and luminous sound.
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Tomáš Hulinzky Violin, Prague 1776
Hulinsky is one of the most interesting Prague makers of the 18th century, and this is a very refined example of his work. Beautiful craftsmanship, great wood, and a first class sound.
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Marcel Lapierre Viola Bow, Mirecourt circa 1950
This is a particularly nice example of Marcel Lapierre’s work – made with unusually fine wood, and with excellent playing qualities.
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EF&EA Ouchard Violin Bow, Mirecourt circa 1925
Here is another “collaboration” bow, made in the workshop of EF Ouchard but showing the hand of his son EA Ouchard. Made for Lucien Schmidt of Grenoble, this is a very high quality stick with an excellent playing character. Very good condition too.
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WE Hill & Son Violin Bow, William Johnston circa 1900
Everyone is familiar with the quality of Hill bows – here we have a very early silver and ivory example from around 1900 bearing the maker’s mark of William Johnston (first mark with vertical nicks). The sound is first class and the condition is unusually good.
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Mars Auguste Husson Violin Bow, Paris circa 1925
This is a very fine and rare ivory-mounted bow by Auguste Husson, a Parisian maker of the early 20th century. It’s in excellent condition and is a top class player.
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Georges Chanot Violin, Paris circa 1835
Georges Chanot is generally regarded as the finest French violin maker after Nicolas Lupot. He was a renowned conoisseur of Italian violins, and his del Gesu copies are particularly sought after. This is a great example, and the sound is as good as it gets.
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Hermann Prell Violin Bow, Markneukirchen circa 1920
This is the second bow we have by Hermann Prell, whose main claim to fame was the fact that he worked briefly for Sartory. Here we have a fine silver-mounted example in unblemished condition, and a great all-round player.
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WE Hill & Son Violin Bow, London 1957
This is a fine gold mounted Hill bow from 1957, the stick made by Arthur Copley. It’s in excellent condition and its playing qualities are quintessentially Hill – unpretentious and utterly reliable!
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HR Pfretzschner Violin Bow, Markneukirchen circa 1920
This is a rare and exquisite gold and tortoiseshell HR Pfretzschner from around 1920. It’s in excellent condition and it plays beautifully with a muscular warm sound.
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Stephane Muller Viola Bow, Toulouse circa 1990
This is a beautifully made viola bow by contemporary French maker Stéphane Muller, bearing the serial number 9589. The wood is outstanding, the condition is very good, and the sound is bold and solistic.
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Francois Peccatte Violin Bow, Paris circa 1845
François Peccatte, brother of Dominique, is a maker whose star is in the ascendant. His preference for nickel and for unusual woods has to some extent obscured the quality of his making, but this bow is stunning.
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G B Gaibisso Violin, Alassio 1949
This is a beautiful modern Italian violin by GB Gaibisso, a lesser known but very talented Ligurian maker. It’s in perfect condition and has a great sound.
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Alfred Tubbs Violin Bow, London circa 1915
This is an exceptional bow by Alf Tubbs, dedicated to the 1900 the winner of the Stainer Prize, Dora Robins. Slightly short and light, what was described at the time as a “ladies’ bow”, nonetheless a terrific player and a uniquely collectable Tubbs.
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JA Vigneron Violin Bow, Paris circa 1895
Joseph Arthur Vigneron is for me something of an unsung hero. His bows are great musician’s tools, not refined like Voirin but still exceptionally well made. Here we have a fine example in excellent condition, also an outstanding player.
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Johannes Franciscus Cuypers (II) Violin, Amsterdam circa 1840
Johannes Franciscus Cuypers (II) was the last in a long line of Dutch makers. All Cuypers instruments share very similar traits, and all are highly prized for their superb tonal qualities. This is a lovely and fine sounding example in great condition.
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Eugène Sartory Cello Bow, Paris circa 1910 (mounts not original)
Eugène Sartory is probably the most popular maker of all time, and his bows are the mainstay of professional musicians the world over. Here we have a very fine cello stick from his best period, very well preserved and of an ideal weight. The mounts are well-fitting copies, probably made for the bow.
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Michael Taylor Viola Bow, Ealing Strings 1989
This is a very fine Peccatte model viola bow made by Michael Taylor for Ealing Strings. The property of a professional player, it’s in excellent condition and draws a big sound.
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A Mittenwald Small Viola circa 1830
This is a very attractive small viola made in Mittenwald in the early 1800s. It’s in good condition and it has surprisingly warm and full sound.
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Dominique Peccatte Violin Bow, Paris circa 1845
Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way. The frog is also Dominique Peccatte but from another bow, and the price reflects this.
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Jacques-Pierre Thibout Violin, Paris 1825
Jacques-Pierre Thibout is perhaps the most artistic of the Parisian makers. He was a contemporary of Nicholas Lupot, and if he had made faithful Strad copies rather than pursuing his own model he would probably be the better known maker. Here we have a beautiful example in immaculate condition – definitely the finest Thibout I have seen and the best sounding too.
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François Nicolas Voirin Viola Bow, Paris circa 1880
FN Voirin is one of the greatest names in bow-making. Although his bows haven’t become a currency in the way that Sartory bows have, he is generally regarded as the better maker. While his bows are inevitably lighter, they have unparalleled elegance and are renowned for their quality of sound.
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HR Pfretzschner Violin Bow, Markneukirchen circa 1885
This is a rare early Pfretzschner with some unusual features, made as a copy of an earlier French bow. A great bow for classical repertoire, with a beautiful and luminous tone.
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A Mirecourt 7/8 Violin, Poirsons Label, 1914
This is a fine sounding Mirecourt 7/8 violin, ideal for a smaller player, and very affordable.
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Arthur Bultitude Viola Bow circa 1970
Arthur Bultitude is a highly respected English maker who spent much of his working life at Hills. On leaving the Hill shop he specialised in exquisite bows with ornamental frogs such as this lovely viola bow.
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WE Hill & Son Violin Bow, London 1939
WE Hill & Son bows come in many grades and levels of quality, but this bow must be one of the the best examples. A great player’s bow too, and in unusually fine condition.
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Carl Albert Nürnberger Violin Bow, Markneukirchen circa 1930
This is a classic 1930s Nürnberger bow in mint condition, and a very solid player drawing a big tone.
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Adolf Christian Nürnberger Cello Bow, Markneukirchen circa 1880
This is an exceptional cello bow by a very rare maker, not to be confused with Albert Nürnberger. Made from first-class pernambuco reminiscent of FX Tourte wood, and in excellent condition.
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Fritz Müller Cello Bow, Bubenreuth circa 1960
This is a rather superior modern German bow with decorative mounts – it’s a stiff and powerful stick in a shorter length, ideal for a smaller player.
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Emile F. Ouchard Violin Bow, Mirecourt circa 1925
Emile Ouchard is one of the more undervalued of French makers, largely because he worked in Mirecourt rather than Paris. Here we have a very nice and typical example in excellent condition.
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A French Viola Bow, Mirecourt circa 1920
This is a lovely French viola bow of the Ouchard/Cuniot-Hury type, made in Mirecourt around 1930. Quite light in weight but packing a punch, this is a very versatile bow which draws a full and elegant sound.
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Étienne Pajeot Violin Bow, Mirecourt circa 1825
Étienne Pajeot is one of the most important figures in the history of bow-making. This example is a top class player’s bow in very fine condition The original frog is an experimental open ebony frog – we are offering the bow with an additional and more workable copy frog made by Yannick Le Canu.
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Georges Chanot Violin, Paris circa 1830
Georges Chanot is widely regarded as one of the greatest French makers, with a very personal style and a great reputation for tone. This example is an early Strad model, very artistic and with a phenomenal sound.
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