Nicolo Bergonzi Violin, Cremona circa 1780
This is an exceptional example of the work of Nicolo Bergonzi – a first class concert instrument and in very good condition.
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Stock Status: Available
John Betts Violin, London circa 1800
This is a lovely John Betts violin from around 1800 in an exceptional state of preservation – the sound is refined, sweet, and beautifully balanced.
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John Lott II Violin, London 1845
This is a beautifully preserved del Gesu copy by John Lott II, one of England’s finest makers. It’s a top class concert instrument in remarkable condition – a great violin for a soloist but also a highly collectable example.
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WE Hill & Sons Violin Bow, William Johnston circa 1900
Here’s another very fine early Hill bow in silver and ebony – it’s a Tourte model with a round stick, the condition is great and it plays beautifully.
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Francois Peccatte Workshop Viola Bow, Mirecourt circa 1845
François Peccatte was the younger brother of Dominique, and their work shares many points of style. The exact working relationship isn’t documented, but François was 11 years younger, and it’s assumed that he apprenticed with Dominique in Paris.
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Nicolas Maline Viola Bow, Mirecourt circa 1850
This is a beautiful and highly collectable Maline viola bow with ivory mounts, currently in excellent condition – it has a strong but supple stick and a beautifully focused sound.
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Arthur Bultitude Viola Bow, Hawkhurst circa 1970
Arthur Bultitude is a highly respected English maker who spent much of his working life at Hills. On leaving the Hill shop he specialised in exquisite bows with ornamental frogs such as this lovely gold mounted viola bow.
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James Tubbs Viola Bow for WE Hill, London circa 1860
This is a great early James Tubbs viola bow made for WE Hill whose brand it bears on the stick and the frog. It’s in a very fine state of preservation and it’s an unusually versatile player.
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George Wulme Hudson Violin, London 1925
This is a violin by one of the most respected English makers of the 20th century, George Wulme Hudson. It’s a brilliant sounding violin suitable for a budding soloist, and in excellent condition.
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JA Lamy Violin Bow, Paris circa 1890
Joseph Alfred Lamy was one of the great makers of the late 19th century – this violin bow is a strong player and in unusually fine condition.
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Annibale Fagnola Violin, Turin 1921
This is a very fine violin from one of the leading Italian makers of the 20th century. It’s in very good condition and has an exceptional sound.
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Dominique Peccatte Violin Bow, Paris circa 1845
Another great musician’s bow from one of the most highly regarded of makers, Dominique Peccatte. Some minor condition issues but an excellent player.
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EA Ouchard Violin Bow, Paris circa 1940
Emile Auguste Ouchard is the only 20th century maker whose popularity rivals that of Sartory – here we have a rather special bow from the late 1930s retaining all its original features. An outstanding player’s bow too…
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Garner Wilson Viola Bow, Dingwall circa 2000
This is a very attractive viola bow by Garner Wilson, one of the many great British makers who came out of the Hill shop. The condition is near-mint.
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Nicolas Maire Violin Bow (mounts not original), Mirecourt circa 1845
This is an unusually fine Nicolas Maire stick with later mounts. It’s in near perfect condition, and the sound is pure and focused.
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Jean-Jacques Millant Violin Bow, Paris circa 1965
This is a very fine Peccatte model violin bow by one of the most popular mid-20th century French makers.
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EF Ouchard Violin Bow, Mirecourt circa 1925
We always try to keep a few bows by Ouchard Père in stock. His work is very dependable and quite undervalued.
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Nicolas Maire Viola Bow, Mirecourt circa 1840
This is a remarkable and very rare viola bow by Nicolas Maire in excellent condition – a light and supple stick which draws a big sound.
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Joseph Henry Viola Bow, Paris circa 1870
This is a very nicely preserved viola bow by Joseph Henry, perhaps the most reliable maker of the Peccatte school. It’s a phenomenal sounding bow with a big velvety tone.
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Eugene Sartory Viola Bow, Paris circa 1910
This is a superb early Sartory viola bow in excellent condition – a beautifully balanced stick with very fine playing qualities.
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James Tubbs Viola Bow, London circa 1885
This is a very fine viola bow by James Tubbs, in an excellent state of preservation and with a huge and luminous tone.
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WE Hill & Son Violin Bow, Sydney Yeoman circa 1930
This is an unusually fine Hill bow from the collection of the late Bill Watson. It’s in pristine condition and it’s a spectacular player.
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Bausch Violin Bow, Markneukirchen circa 1920
This is a very nice violin bow from the Bausch workshop, made around 1920. It’s in excellent condition and it’s a great all-rounder for a young student.
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Charles Peccatte Violin Bow, Paris circa 1870
This is a unique and highly collectable Vuillaume shop bow made by Charles Peccate. It has its original silk lapping, and the frog has a Stanhope lens with a micro-photo of JB Vuillaume.
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James Tubbs Violin Bow, London circa 1885
We are serious fans of James Tubbs, and we sell more bows by him than by any other maker. This is a very typical example of his middle period work, with the rounded ferrule, long adjuster and silver face that are his hallmarks.
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William Watson Cello Bow, Falmouth circa 1980
Bill Watson (1930-2018) was a much loved elder statesman of British bow-making. This fine cello bow was made some 20 years ago but has remained unused until now.
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Eugenio Degani Violin, Venice 1898
This is a very attractive and excellent-sounding violin from the Venetian maker Eugenio Degani. It has some restoration, the scroll is later, and it’s priced accordingly.
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A Fine English Del Gesu Copy, circa 1870
This is a remarkable and intriguing del Gesu fake, most likely the work of TJ Holder. It’s a beautiful violin with a first class sound, but I don’t suppose we will ever know for sure who made it.
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EA Ouchard Violin Bow, Paris circa 1925
EA Ouchard is probably the greatest of 20th century French makers, and this is a lovely example in silver. Made for Georges Coné in Lyon, it’s in excellent condition and a spectacular player as you’d expect from this maker.
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FN Voirin Violin Bow (mounts not original), Paris circa 1890
This is a very fine FN Voirin stick with replacement frog and button. Voirin bows are renowned for their luminous sound, and this is a great example at an affordable price.
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August Rau Violin Bow, Markneukirchen circa 1920
August Rau (1866-1951) is an important maker in the history of German bows. This is a very nice example of his higher quality of bow – the condition is very good, and the sound is big, warm and fruity.
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Dominique Peccatte Viola Bow, Paris circa 1850
This is an exceptional Dominique Peccatte viola bow in near mint condition – no wear whatsoever, all the silver is original, as is the ivory face. A very handsome example for a collector or a soloist.
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Franz Albert Nürnberger Violin Bow, Markneukirchen circa 1925
This is another great bow from the Nürnberger workshop, probably Franz Albert circa 1925 – made on quite an unusual model with a very refined head and distinctive adjuster. It’s a strong and full-sounding bow with some minor condition issues.
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Claude Thomassin Viola Bow, Paris circa 1920
Claude Thomassin is a maker whose star is rising rapidly, and we are always delighted to offer his bows. Here we have a fine viola bow in excellent condition – it’s a powerful stick with a powerful sound.
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ASP Bernardel Viola, Paris 1850
This is a very beautiful smaller viola by perhaps the most under-rated French maker, ASP Bernardel. As always with this maker, the workmanship and the sound are of the highest quality.
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Claude Thomassin Violin Bow, Paris circa 1910
This is a near mint violin bow by Claude Thomassin, still one of the most under-rated of 20th century makers. It’s a highly collectable example but also a great bow for a musician.
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Franz Albert Nürnberger Violin Bow, Markneukirchen circa 1900
We have a number of Franz Albert Nürnberger bows at the moment, each one better than the other. This example from the early 1900s is in top condition and has a brilliant solistic quality.
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Thomas Tubbs Cello Bow, London circa 1850
Another splendid cello bow by Thomas Tubbs, made for Simon Andrew Forster – beautifully preserved and retaining all its original “goldfish” pearl.
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James Tubbs Cello Bow, London circa 1885
This is a lovely middle period James Tubbs cello bow in excellent condition.
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James Tubbs Violin Bow, London circa 1865
This is a great early James Tubbs violin bow made for WE Hill whose brand it bears. It’s in excellent condition, the stick is strong and the sound is 100% Tubbs!
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Jean Joseph Martin Violin Bow, Paris circa 1880
Jean Joseph Martin was one of the extraordinary team of makers assembled by JB Vuillaume, and his bows very often follow the Vuillaume model. This is a more personal creation with a distinctive head – very unusually it bears an authentic Dominique Peccatte brand. The bow is in near perfect condition.
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Jean Joseph Martin Violin Bow, Paris circa 1870
This is a very nice Vuillaume model bow made by JJ Martin around 1885. Branded “J. Guarini”, it’s a very fine example of this maker’s work – it has a powerful stick with a big bright sound.
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Eugene Sartory Violin Bow, Paris circa 1895
Eugène Sartory enjoys an unrivalled popularity amongst musicians. Here we have an outstanding bow from his best period – it’s in mint condition and plays like a dream.
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Etienne Pajeot Violin Bow, Mirecourt circa 1840
This is a particularly beautiful Pajeot violin bow from the maker’s best period – it’s in excellent condition, original in all parts, and it plays with a rare combination of strength and finesse.
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Betts Workshop Violin, London circa 1820
It’s questionable how many violins John Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. Betts instruments tend to exhibit very high standards of craftsmanship and tone.
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Camillo Camilli Violin, Mantua 1739
Camilli Camilli (1703-1754) is an important maker from Mantua – this is a lovely example of his work with a sweet and crystalline sound.
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Ferdinand Gagliano Violin, Naples, 1760
Ferdinand Gagliano (1738-1804) was the son of Nicolo and nephew of Gennaro. His violins have always been appreciated for their excellent tonal qualities – this example has exceptional clarity and projection.
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Giovanni Grancino Violin, Milan circa 1696
Giovanni Grancino is the most respected maker of the Milanese school. This example is built on a grand Amati pattern, and it’s a first class concert instrument.
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Giovanni Lucchi Violin Bow, Bologna circa 1970
This is a very fine example of the work of Giovanni Lucchi – it’s a very powerful bow with a fantastic crunchy sound, and it’s in mint condition.
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Jacob Eury Violin Bow, Paris circa 1820
This is a very fine Eury stick with beautiful copy mounts by Simon Guillaume. The condition of the stick is exemplary, and the bow draws a massive sound.
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Johann Wihelm Knopf Violin Bow, Markneukirchen circa 1870
This is a fine example of the work of Johann Wilhelm Knopf in near mint condition – a real collector’s piece and an exciting player too.
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Thomas Tubbs Cello Bow, London circa 1840
This is a beautiful example of the work of Thomas Tubbs, and one of the best early 19th century English cello bows you could hope to find.
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Joseph Arthur Vigneron Violin Bow, Paris circa 1895
In our opinion Joseph Arthur Vigneron is one of the best makers of the late 19th century and his bows always seem to work. This is a lovely example in great condition, unusually refined and responsive.
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Jean Joseph Martin Viola Bow, Paris circa 1880
Jean Joseph Martin is one of the select group of makers who worked for the Vuillaume shop (1858-1863). His work is very individual, and this is an unusually well preserved viola bow of his from around 1870.
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Joseph Henry Violin Bow, Paris circa 1850
Here is another fine bow by Joseph Henry, perhaps our favourite maker. It’s a strong yet supple stick that produces a massive sound – some wear to the handle but otherwise in excellent condition.
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Louis Gillet Cello Bow, Mirecourt circa 1940
This is an exceptional cello bow by Louis Gillet in near mint condition. It has an octagonal section stick of mid-brown pernambuco with a vivid random figure – mounts of silver and ebony.
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Grand Adam Cello Bow, Paris circa 1840
Another great cello bow from one of the less well known Vuillaume makers, Jean “Grand” Adam. A very attractive bow showing hardly any signs of use over its 150 year life, it makes quite an impression.
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Charles Brugère Viola, Paris 1894
This viola is one of the finest examples of the work of Charles Brugère in existence. The condition is near mint and the sound is warm and responsive.
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Luigi Salsedo Violin 1928
Here’s another lovely Salsedo violin from 1928, slightly bigger and bolder than the other example we have. The main difference is that it’s red not yellow…
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Eugenio Degani Violin, Venice 1893
Eugenio Degani is one of the most recognizable of modern Italian makers. His violins are always refined and stylish. Here we have a wonderful sounding example in perfect condition.
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Student violins for sale through teachers
We sell antique violins suitable for students through a network of violin teachers around the world – from Latvia to Los Angeles. If you are a teacher and would like to work with us please get in touch.
Student violin bows for sale through teachers
We sell antique violin bows suitable for students through a network of violin teachers around the world – from Latvia to Los Angeles. If you are a teacher and would like to work with us please get in touch.
WE Hill & Sons Violin, London 1904
This is a great violin from the Hill workshop – dating from 1904, it’s in a fine state of preservation and it has a concert sound.
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A Fine German Violin Bow made for Chanot circa 1890
This is an interesting and finely made German bow sold by Chanot of London towards the end of the 19th century. Excellent condition and a bright, nervy stick.
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Claude Thomassin Violin Bow, Paris circa 1898
Here we have an early Claude Thomassin made during his time at Gand & Bernardel – another exceptional bow from this highly individual maker.
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Nicolas Maire Violin Bow, Mirecourt circa 1840
Nicolas Maire is a highly respected Mirecourt maker closely associated with Pajeot, but who made the all-important journey to Paris. His style evolved significantly during his working life – this mid-period stick is in immaculate condition and has superb copy mounts by Derek Wilson.
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Louis Gillet Viola Bow, Nancy circa 1950
This is a great Gillet viola bow in an outstanding state of preservation – it’s a phenomenal player too, strong but very responsive.
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WE Hill & Sons Violin Bow, London 1931
An unusually fine Hill violin bow from the early 1930s, this silver and tortoiseshell example is in mint condition and plays wonderfully.
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Louis Bazin Violin Bow, Mirecourt circa 1930
Louis Bazin was a third generation bow-maker of consummate skill whose work is still undervalued simply because he worked in Mirecourt and not Paris. This bow is a mighty player and in top condition.
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Louis Morizot Violin Bow, Mirecourt circa 1925
Louis Morizot (Morizot Père) is one of my favourite makers, and here we have a beautiful and collectable bow of his in original condition – a spectacularly good player too.
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Pierre Simon Violin Bow, Paris circa 1855
This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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Marcel Fétique Violin Bow, Paris circa 1940
This is a fine and beautifully preserved violin bow by Marcel Fétique – it’s in top condition and it produces a big sound.
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Emanuel Adam Homolka Violin, Velvary 1825
Emanuel Adam Homolka was the most talented maker to emerge from the Strnad workshop in Prague. His violins are rightly valued for their artistry and their tonal qualities. This is a lovely example with a unique silvery timbre.
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Marcel Lapierre Viola Bow, Mirecourt circa 1950
Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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Jean Persoit Violin Bow, Paris circa 1820
We are on something of a journey with Persoit, and this is the third bow of his we have offered this year. This one is a very interesting example of his early work. It’s unusually well preserved, and predictably enough it’s a fabulous player.
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Riccardo Genovese Violin, Montiglio 1926
Riccardo Genovese was the principal student of Annibale Fagnola, but his work is softer and the sound always more successful. This is a fine example in great condition with a powerful and very even sound.
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Marcel Lapierre Viola Bow, Mirecourt circa 1960
This is a very attractive viola bow by Marcel Lapierre. Branded twice and dated 1960 under the frog, it’s in excellent condition – it’s also a remarkable player for its price.
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WE Hill & Sons Violin Bow, William Johnston circa 1935
Yet one more excellent Hill bow, this time a fine early gold and tortoiseshell example with a stick by WIlliam Johnston, the frog bearing marks for Bultitude. Some wear to the stick but generally in very fine condition, and a lovely golden tone.
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Louis Gillet Violin Bow, Paris circa 1935
Louis Gillet is best known as the maker of many late Sartory bows, but he was a formidable maker in his own right. This is an unusually attactive example – a very well balanced stick in top condition.
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Hippolyte Camille Lamy Viola Bow, Paris 1927
Hippolyte Camille Lamy is one of the most precise and gifted makers of the early 20th century – here we have an exceptional gold and ivory viola bow in mint condition.
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Albert Nurnberger Violin Bow, Markneukirchen circa 1935
Here we have a near-mint Carl Albert Nürnberger, a splendid, austere looking bow with a big fruity sound.
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Fornaciari Jr. Violin Bow, Brazil circa 2008
Fornaciari Jr. bows are made in Brazil and are very popular in the US. There’s a wide range of models – this bow is at the top of the range, made with excellent pernambuco and with full silver mounts.
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WE Hill & Son Violin Bow, Sydney Yeoman circa 1930
Another good Hill violin bow, this time the work of Sydney Yeoman – very well preserved, and a strong, smooth player.
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Pierre Simon Violin Bow, Paris circa 1855 (later copy mounts)
This is an exceptional Pierre Simon stick made for Vuillaume, with later copy mounts. The stick is in near-mint condition and the playability is all you would expect from one of the greatest makers of the 19th century.
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Joseph Henry Violin Bow, Paris circa 1855
This is a very fine Joseph Henry in excellent condition. I have a particular soft spot for Henry, and this bow doesn’t disappoint in looks or in playability. It’s a top level bow for a serious professional.
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FW Chanot Violin, London circa 1890
FW Chanot belongs to a distinguished line of violin-makers and experts. This violin is a beautifully preserved del Gesu copy with a powerful and supremely well balanced tone.
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A Fine Anonymous Violin, mid 19th Century
Julius Hubička Violin, Prague 1943
This is an exceptional example of the work of Julius Hubička, a highly productive but maddeningly inconsistent maker of the early 20th century. This particular violin ticks all the boxes – great sound, great condition, great price.
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Richard Grünke Cello Bow, Bubenreuth circa 1980
An exceptional gold-mounted bow in unused condition by one of the most esteemed German makers of the 20th century.
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Louis Gillet Viola Bow, Nancy circa 1940
Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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JB LeFebvre Violin, Amsterdam 1760
This is a rare and very pretty violin by the 18th century Dutch maker Jacques LeFebvre – it’s a superb sounding instrument in good restored condition.
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Victor Fétique Violin Bow, Paris, circa 1925
Another great Fétique bow, this one gold-mounted – a heavy but lively bow for a power player, and in very good condition.
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Alberto Guerra Viola, Modena 1957
Made by Alberto Guerra, this is an excellent yet affordable modern Italian viola of good proportions with a warm, fruity sound. It has a slightly “lived-in” appearance but is free from any condition issues.
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Marcel Lapierre Violin Bow, Mirecourt circa 1950
Marcel Lapierre is a highly under-rated French maker, and his bows represent exceptional value for money. This is a well preserved example with great playing qualities.
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EF&EA Ouchard Violin Bow, Mirecourt circa 1925
Here is another “collaboration” bow, made in the workshop of EF Ouchard but showing the hand of his son EA Ouchard. Made for Lucien Schmidt of Grenoble, this is a very high quality stick with an excellent playing character. Very good condition too.
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WE Hill & Son Violin Bow, William Johnston circa 1900
Everyone is familiar with the quality of Hill bows – here we have a very early silver and ivory example from around 1900 bearing the maker’s mark of William Johnston (first mark with vertical nicks). The sound is first class and the condition is unusually good.
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Mars Auguste Husson Violin Bow, Paris circa 1925
This is a very fine and rare ivory-mounted bow by Auguste Husson, a Parisian maker of the early 20th century. It’s in excellent condition and is a top class player.
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Hermann Prell Violin Bow, Markneukirchen circa 1920
This is the second bow we have by Hermann Prell, whose main claim to fame was the fact that he worked briefly for Sartory. Here we have a fine silver-mounted example in unblemished condition, and a great all-round player.
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WE Hill & Son Violin Bow, London 1957
This is a fine gold mounted Hill bow from 1957, the stick made by Arthur Copley. It’s in excellent condition and its playing qualities are quintessentially Hill – unpretentious and utterly reliable!
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HR Pfretzschner Violin Bow, Markneukirchen circa 1920
This is a rare and exquisite gold and tortoiseshell HR Pfretzschner from around 1920. It’s in excellent condition and it plays beautifully with a muscular warm sound.
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Stephane Muller Viola Bow, Toulouse circa 1990
This is a beautifully made viola bow by contemporary French maker Stéphane Muller, bearing the serial number 9589. The wood is outstanding, the condition is very good, and the sound is bold and solistic.
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Jean Joseph Martin Violin Bow for JB Vuillaume, Paris circa 1870
This is a very nice Vuillaume bow made by JJ Martin around 1870. Built on a typcial Vuillaume model, it’s a very attractive bow with a huge sound.
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G B Gaibisso Violin, Alassio 1949
This is a beautiful modern Italian violin by GB Gaibisso, a lesser known but very talented Ligurian maker. It’s in perfect condition and has a great sound.
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Alfred Tubbs Violin Bow, London circa 1915
This is an exceptional bow by Alf Tubbs, dedicated to the 1900 the winner of the Stainer Prize, Dora Robins. Slightly short and light, what was described at the time as a “ladies’ bow”, nonetheless a terrific player and a uniquely collectable Tubbs.
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A Mittenwald Small Viola circa 1830
This is a very attractive small viola made in Mittenwald in the early 1800s. It’s in good condition and it has surprisingly warm and full sound.
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Dominique Peccatte Violin Bow, Paris circa 1845
Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way.
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Jacques-Pierre Thibout Violin, Paris 1825
Jacques-Pierre Thibout is perhaps the most artistic of the Parisian makers. He was a contemporary of Nicholas Lupot, and if he had made faithful Strad copies rather than pursuing his own model he would probably be the better known maker. Here we have a beautiful example in immaculate condition – definitely the finest Thibout I have seen and the best sounding too.
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WE Hill & Son Violin Bow, London 1939
WE Hill & Son bows come in many grades and levels of quality, but this bow must be one of the the best examples. A great player’s bow too, and in unusually fine condition.
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Carl Albert Nürnberger Violin Bow, Markneukirchen circa 1930
This is a classic 1930s Nürnberger bow in mint condition, and a very solid player drawing a big tone.
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Fritz Müller Cello Bow, Bubenreuth circa 1960
This is a rather superior modern German bow with decorative mounts – it’s a stiff and powerful stick in a shorter length, ideal for a smaller player.
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Emile F. Ouchard Violin Bow, Mirecourt circa 1925
Emile Ouchard is one of the more undervalued of French makers, largely because he worked in Mirecourt rather than Paris. Here we have a very nice and typical example in excellent condition.
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A French Viola Bow, Mirecourt circa 1920
This is a lovely French viola bow of the Ouchard/Cuniot-Hury type, made in Mirecourt around 1930. Quite light in weight but packing a punch, this is a very versatile bow which draws a full and elegant sound.
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Étienne Pajeot Violin Bow, Mirecourt circa 1825
Étienne Pajeot is one of the most important figures in the history of bow-making. This example is a top class player’s bow in very fine condition The original frog is an experimental open ebony frog – we are offering the bow with an additional and more workable copy frog made by Yannick Le Canu.
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Pierre Simon Cello Bow, Paris circa 1860
Pierre Simon is one of the great bowmakers of the mid 19th century, closely associated with Dominique Peccatte and Joseph Henry, but working in his own distinctive manner. Simon bows engender a quite fanatical devotion on the part of their owners – their combination of robustness and agility is unique.
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Alessandro Carlesso Cello Bow, Brazil 2013
Alessandro Carlesso makes superb bows from Brazilian pernambuco – his work is very fine and the wood is outstanding. This bow has a round stick of very dark wood and is silver mounted with an ornamental adjuster.
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Auguste Barbé Violin Bow, Paris circa 1890
Auguste Barbé worked exclusively for Gand & Bernardel and for this reason is not nearly as well known as he should be. However, his bows are subtle and almost indistinguishable from those of his close colleague FN Voirin. Here we have a lightweight example in top condition.
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FN Voirin Cello Bow, Paris circa 1880
FN Voirin is the most highly regarded maker of the late 19th century – his work is particularly admired for its precision and beauty. In spite of their lightness his bows are much in demand for their luminous tone. Here we have a lovely lightweight cello bow, very strong for its weight and in excellent condition.
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François Lotte Viola Bow, Mirecourt circa 1935
This is a very handy viola bow made by François Lotte for Collin-Mézin, and bearing their brand. An all-round great player, and in excellent condition – however, the adjuster is nickel and not original to the stick.
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FN Voirin Violin Bow, Paris circa 1880
FN Voirin is close to the top of anyone’s list of makers. Here we are offering 4/5ths of a Voirin, since the upper fifth of the bow is a splice. However, the work is beautiful and the bow still has the special Voirin feeling.
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Victor Fétique Cello Bow, Paris circa 1930
Another lovely cello bow by one of the more reliable 20th century makers. This example is very strong – the condition is excellent apart from a chip in the end of the stick by the adjuster and a bit of repairwork to the back plate.
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EF&EA Ouchard Violin Bow, Mirecourt circa 1930
This is a very fine bow from the EF Ouchard workshop, showing the hand of his supremely talented son EA Ouchard, and branded “Villaume Freres” (a dealership in Nancy). A very strong yet nimble stick, and in great condition barring a few minor scratches.
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EF Ouchard Viola Bow, Mirecourt circa 1925
Emile F Ouchard is a highly underestimated maker, – here we have a great viola bow with the playing qualities so typical of this make – a strong yet very articulate stick, and a broad but focused sound. This is a well used bow with a slight dent behind the head on the audience side, otherwise in excellent condition.
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James Tubbs/WE Hill Violin Bow, London circa 1880
This is a fine early period James Tubbs, made for Hills and bearing their brand on both sides of the handle. Unusually light in colour for a Tubbs – some minor condition issues but otherwise a stunning bow from this great if erratic maker.
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Jean-François Aldric Violin, Paris 1835
Jean-François Aldric is one of the great names in French making, of the same generation as Lupot and Pique. In his later years he made superb Stradivari copies modelled on originals which he obtained from Luigi Tarisio, and our violin is one of these – a very faithful Strad copy displaying exquisite workmanship, with a real concert sound.
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Jean “Grand” Adam Cello Bow, Paris circa 1850
Jean (Grand) Adam is the best known and most highly valued of the Adam makers. He worked in the prestigious Vuillaume shop, but his bows are most often compared to those of FX Tourte.
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Nürnberger Violin Bow, Markneukirchen circa 1930
This is an unusually fine gold and ebony mounted bow from the Nürnberger shop, probably the work of Philipp Paul Nürnberger. It’s a beautiful example of the higher-end production of this workshop.
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Paul Weidhaas Cello Bow for Victor Fétique circa 1930
Paul Weidhaas is one of the most respected of early 20th century German bow-makers. Here we have a fine cello bow made in the French style, and in unusually pristine condition.
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Bausch Cello Bow, Markneukirchen circa 1920
A good cello bow from the Bausch workshop, dating from the early 1900s.
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Etienne Pajeot Cello Bow, Mirecourt circa 1830
Etienne Pajeot is one of the great early French makers, and his bows are highly sought after for their excellent technical qualities. This is a relatively rare early cello bow in good condition.
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Charles Maucotel Violin, London 1851
Charles Maucotel was the first of the Parisian makers to come to London. A tremendous yet relatively unknown maker, here we have a beautiful del Gesu copy of his in excellent condition, and with a first class sound.
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WE Hill & Son Violin Bow, London circa 1935
There are few professional players who don’t have a Hill in their case. The firm’s reputation for quality and reliability is well deserved, and the bows carrying the WE Hill & Sons brand are always in demand.
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Louis Morizot Violin Bow, Mirecourt circa 1925 (branded Collin-Mézin)
Louis Morizot’s main claim to fame is his association with Sartory, yet he’s a great maker in his own right. Under his sons, the family name became rather associated with mass production and clunky student bows, but at the time this bow was made, a Morizot was a thing of great refinement and beauty.
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Joseph Calot Violin, Paris circa 1815
Joseph Calot is a fascinating figure in the history of violin-making. He is best known as a Turin maker for his association/collaboration with Pressenda, but he was also an apprentice in the workshop of Nicholas Lupot, and our violin is a bold variation on Lupot’s Paris style. This is a perfectly preserved example of Calot’s Parisian work, showing exceptional ability.
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Dominique Peccatte Violin Bow, Paris circa 1860
Dominique Peccatte is widely regarded as the greatest bow-maker of all time – his bows show unusual flair and workmanship, and they are unsurpassed in technical quality.
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Nicholas Leonard Tourte Violin Bow, Paris circa 1805
Tourte is without question the most prestigious name in the history of bow-making. While FX Tourte was largely responsible for the design of bow that we recognize today, his older brother NL or “Tourte l’Ainé” was equally revolutionary.
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Laberte Workshop Cello Bow, Mirecourt circa 1920
The workshops of Marc Laberte produced a huge range of instruments and bows in the early 20th century – their silver-mounted bows are of consistently high quality.
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Nicolas Maline Violin Bow, Paris circa 1865
Nicolas Maline is an important figure from the Golden period of French bow-making. Although he worked for Vuillaume, he appears to have spent his entire working life in Mirecourt – his work is unique and distinctive, and of the highest quality.
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Dominique Peccatte Violin Bow, Paris circa 1850
A superb Dominique Peccatte violin bow in fine pernambuco, mounts of silver and ebony. Some minor restoration and a replacement button – a fantastic example at a great price.
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