Martin Swan Violins This is a lovely French viola bow of the Ouchard/Cuniot-Hury type, made in Mirecourt around 1930. Quite light in weight but packing a punch, this is a very versatile bow which draws a full and elegant sound.
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Garner Wilson was one of the last of the Hill makers, and his work embodies the Hill tradition. Made with precision, well balanced, utterly reliable …
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This is a very handy viola bow made by François Lotte for Collin-Mézin, and bearing their brand. An all-round great player, and in excellent condition – however, the adjuster is nickel and not original to the stick.
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This is a very fine Peccatte model viola bow made by Michael Taylor for Ealing Strings. The property of a professional player, it’s in excellent condition and draws a big sound.
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This is a beautifully made viola bow by contemporary French maker Stéphane Muller, bearing the serial number 9589. The wood is outstanding, the condition is very good, and the sound is bold and solistic.
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This is a particularly nice example of Marcel Lapierre’s work – made with unusually fine wood, and with excellent playing qualities.
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Arthur Bultitude is a highly respected English maker who spent much of his working life at Hills. On leaving the Hill shop he specialised in exquisite bows with ornamental frogs such as this lovely viola bow.
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Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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This is a very attractive viola bow by Marcel Lapierre. Branded twice and dated 1960 under the frog, it’s in excellent condition – it’s also a remarkable player for its price.
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William Johnston was one of the first bowmakers to be employed by the Hill workshop. This is a published and highly collectable early example in near mint condition.
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Emile F Ouchard is a highly underestimated maker, – here we have a great viola bow with the playing qualities so typical of this make – a strong yet very articulate stick, and a broad but focused sound. This is a well used bow with a slight dent behind the head on the audience side, otherwise in excellent condition.
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This is a top of the range Hill viola bow in gold and ivory dating from 1937 – it’s in great condition and it plays beautifully.
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Emile Auguste Ouchard is one of the most highly valued bow makers of the 20th century. His style is individual and very precise, and the playing qualities of his bows are rarely surpassed. Many professionals use an EA Ouchard. This fine viola bow from his New York period is a very good example, powerful yet responsive and with a huge sound.
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Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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This is a great Gillet viola bow in an outstanding state of preservation – it’s a phenomenal player too, strong but very responsive.
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FN Voirin is one of the greatest names in bow-making. Although his bows haven’t become a currency in the way that Sartory bows have, he is generally regarded as the better maker. While his bows are inevitably lighter, they have unparalleled elegance and are renowned for their quality of sound.
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Hippolyte Camille Lamy is one of the most precise and gifted makers of the early 20th century – here we have an exceptional gold and ivory viola bow in mint condition.
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