Marcel Lapierre Viola Bow, Mirecourt circa 1950
Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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Another excellent bow by Marcel Lapierre, a rather under-rated mid-20th century maker – this example has particularly attractive wood, it’s in great condition, and it plays very well indeed.
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This is a very attractive viola bow by Marcel Lapierre. Branded twice and dated 1960 under the frog, it’s in excellent condition – it’s also a remarkable player for its price.
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We have become quite keen on the bows of Louis Bazin, and it’s a pleasure to have one of his viola bows. And of course it’s a great player, all original, and in better than average condition.
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Emile F Ouchard is a highly underestimated maker, – here we have a great viola bow with the playing qualities so typical of this make – a strong yet very articulate stick, and a broad but focused sound. This is a well used bow with a slight dent behind the head on the audience side, otherwise in excellent condition.
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A near-mint condition WE Hill & Sons viola bow in chased gold and ebony, the stick by John Clutterbuck (1970).
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This is a superb viola bow by Charles Nicolas Bazin, perhaps the most under-appreciated of the Mirecourt makers. It’s in near-mint condition and it’s a versatile and brilliant player.
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This is a very fine example of the work of André Chardon – in excellent condition, made with spectacular wood, and an exuberant playing bow.
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François Peccatte was the younger brother of Dominique, and their work shares many points of style. The exact working relationship isn’t documented, but François was 11 years younger, and it’s assumed that he apprenticed with Dominique in Paris.
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This is a great early James Tubbs viola bow made for WE Hill whose brand it bears on the stick and the frog. It’s in a very fine state of preservation and it’s an unusually versatile player.
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Louis Gillet is best known for his collaboration with Eugène Sartory,. Here we have a very fine Sartory inspired viola bow in excellent condition, and with playing qualities very similar to a good Sartory.
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This is a very attractive example of the work of Jean-Jacques Millant, one of the most artistic and immediately recognizable of 20th century makers.
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This is an early JA Lamy viola bow made on a Vuillaume model, relatively lightweight but very strong, and in great condition.
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This is a very fine viola bow by one of our favourite makers, Emile Auguste Ouchard. The condition is outstanding and the stick is strong with excellent grip.
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This is a rare and exceptional Jules Fétique viola bow in as new condition, complete with original tinsel lapping and ivory face. Not just a unique collector’s item but also a strong stick with great playing qualities.
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This is a rare viola bow by Charles Peccatte, bearing the authentic Peccatte brand. It has a strong but supple stick that produces a beautiful velvety sound.
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Hippolyte Camille Lamy is one of the most precise and gifted makers of the early 20th century – here we have an exceptional gold and ivory viola bow in mint condition.
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This is a very nicely preserved viola bow by Joseph Henry, perhaps the most reliable maker of the Peccatte school. It’s a phenomenal sounding bow with a big velvety tone.
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This is a remarkable and beautifully preserved viola bow by Joseph Henry, one of the greatest French makers of the 19th century.
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This is an exceptional Dominique Peccatte viola bow in near mint condition – no wear whatsoever, all the silver is original, as is the ivory face. A very handsome example for a collector or a soloist.
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