Garner Wilson was one of the last of the Hill makers, and his work embodies the Hill tradition. Made with precision, well balanced, utterly reliable … More details
Edwin Prager was a less prolific maker than his brother Gustav, but his work is very refined and slightly more sought after. This is a beautiful example in excellent condition, originally sold by Beare & Son More details
This is a lovely bow by Roger Lotte carrying his own later brand. It’s a classic example of his work with a rounded heel, Parisian eye, and a Simon-like backwards curve to the head. The fine red pernambuco is also typical – round in section, with mounts of silver and ebony. The condition is excellent.
This is a very handy viola bow made by François Lotte for Collin-Mézin, and bearing their brand. An all-round great player, and in excellent condition – however, the adjuster is nickel and not original to the stick. More details
An exceptional gold-mounted viola bow by one of the most esteemed German makers of the 20th century. More details
This is a very fine Nürnberger family viola bow, probably an early work by Carl Albert Nürnberger. The brand with a * at each end came into use after 1910, yet some archaic aspects of this bow’s construction suggest that it can’t be much later than that. The bow has a silver face and a pinned underslide, and it oozes style. The stick is of beautifully flecked round section pernambuco – mounts are silver and ebony.
Hill bows have a well deserved reputation for consistency of workmanship and for the quality of the sticks. The finest sticks were branded WE Hill & Sons, and the best of those such as this bow were mounted in gold. More details
Emile F Ouchard is a highly underestimated maker, – here we have a great viola bow with the playing qualities so typical of this make – a strong yet very articulate stick, and a broad but focused sound. This is a well used bow with a slight dent behind the head on the audience side, otherwise in excellent condition. More details
This is a top of the range Hill viola bow in gold and ivory dating from 1937 – it’s in great condition and it plays beautifully. More details
A James Tubbs viola bow is a rare thing – this example is from Tubbs’ middle period and completely typical. It’s a Rolls Royce of a bow, big, opulent and brimming with confidence. It has some signs of use but there are no cracks or damages. More details
Victor Fétique bows are a very safe choice – they are beautifully made, they always work, and they have flair! This viola bow is in fantastic condition and the pernambuco has a remarkable flame. The weight and balance are ideal too. More details
Emile Auguste Ouchard is one of the most highly valued bow makers of the 20th century. His style is individual and very precise, and the playing qualities of his bows are rarely surpassed. Many professionals use an EA Ouchard. This fine viola bow from his New York period is a very good example, powerful yet responsive and with a huge sound. More details
FN Voirin is one of the greatest names in bow-making. Although his bows haven’t become a currency in the way that Sartory bows have, he is generally regarded as the better maker. While his bows are inevitably lighter, they have unparalleled elegance and are renowned for their quality of sound.
This viola bow is a lovely example of his work, typically refined and perfectly proportioned. The stick is of octagonal section orange-brown pernambuco with speckled figure, mounts are silver and ebony. The condition is astounding.
Price on application
Dominique Peccatte is one of the greatest French makers, second only to FX Tourte in the eyes of the world. Here we have a very rare viola bow in near mint condition, very strong and perfectly weighted. The original plain ebony mounts are supplied with the bow. More details