Martin Swan Violins Here is another “collaboration” bow, made in the workshop of EF Ouchard but showing the hand of his son EA Ouchard. Made for Lucien Schmidt of Grenoble, this is a very high quality stick with an excellent playing character. Very good condition too.
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An unusually fine Hill violin bow from the early 1930s, this silver and tortoiseshell example is in mint condition and plays wonderfully.
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This is a rare example of the work of Auguste Lenoble, one of the most undervalued of 19th century French makers. It’s in near-mint condition with original lapping, though with a later button.
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This is a very fine bow from the EF Ouchard workshop, showing the hand of his supremely talented son EA Ouchard, and branded “Villaume Freres” (a dealership in Nancy). A very strong yet nimble stick, and in great condition barring a few minor scratches.
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This is a fine and beautifully preserved violin bow by Marcel Fétique – it’s in top condition and it produces a big sound.
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Auguste Barbé worked exclusively for Gand & Bernardel and for this reason is not nearly as well known as he should be. However, his bows are subtle and almost indistinguishable from those of his close colleague FN Voirin. Here we have a lightweight example in top condition.
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This very fine gold-mounted bow was made for Wilhem Hammig of Leipzig, most likely by Franz Albert Nürnberger between 1890 and 1900. It’s a very elegant bow made with the finest pernambuco – the condition is excellent and it plays beautifully.
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Here’s another very fine early Hill bow in silver and ebony – it’s a Tourte model with a round stick, the condition is great and it plays beautifully.
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Here we have an early Claude Thomassin made during his time at Gand & Bernardel – another exceptional bow from this highly individual maker.
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We are serious fans of James Tubbs, and we sell more bows by him than by any other maker. This is a very typical example of his middle period work, with the rounded ferrule, long adjuster and silver face that are his hallmarks.
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This is a near mint violin bow by Claude Thomassin, still one of the most under-rated of 20th century makers. It’s a highly collectable example but also a great bow for a musician.
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This is a fine early example of the work of James Tubbs. The model is the one he used while making bows for WE Hill. The head is more refined than in his later work, the frog with a wide throat and delicate pearl eye, and a very characteristic “goldfish” mother of pearl throughout.
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This is a very fine and rare ivory-mounted bow by Auguste Husson, a Parisian maker of the early 20th century. It’s in excellent condition and is a top class player.
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This is a very fine FN Voirin stick with replacement frog and button. Voirin bows are renowned for their luminous sound, and this is a great example at an affordable price.
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Jean Joseph Martin was one of the extraordinary team of makers assembled by JB Vuillaume, and his bows very often follow the Vuillaume model. This is a more personal creation with a distinctive head – very unusually it bears an authentic Dominique Peccatte brand. The bow is in near perfect condition.
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This is a very nice Vuillaume model bow made by JJ Martin around 1885. Branded “J. Guarini”, it’s a very fine example of this maker’s work – it has a powerful stick with a big bright sound.
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This is an exceptional gold and tortoiseshell mounted ‘fleur de lys’ Hill bow from the 1920s – in mint condition, beautifully balanced with a strong yet responsive stick.
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This is a great Joseph Arthur Vigneron from around 1900 – it’s a strong but supple stick with a big sound, and the condition is very good.
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Another great Fétique bow, this one gold-mounted – a heavy but lively bow for a power player, and in very good condition.
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In our opinion Joseph Arthur Vigneron is one of the best makers of the late 19th century and his bows always seem to work. This is a lovely example in great condition, unusually refined and responsive.
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This is a beautifully preserved violin bow by Victor Fétique, made for Chanot & Chardon whose stamp it bears – a powerful stick with a rich and complex sound.
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EA Ouchard is probably the greatest of 20th century French makers, and this is a lovely example in silver. Made for Georges Coné in Lyon, it’s in excellent condition and a spectacular player as you’d expect from this maker.
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This is a very nice Vuillaume bow made by JJ Martin around 1870. Built on a typcial Vuillaume model, it’s a very attractive bow with a huge sound.
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