Pierre Simon Violin Bow, Paris circa 1855
This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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This is a very fine Joseph Henry in excellent condition. I have a particular soft spot for Henry, and this bow doesn’t disappoint in looks or in playability. It’s a top level bow for a serious professional.
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This is a particularly beautiful Pajeot violin bow from the maker’s best period – it’s in excellent condition, original in all parts, and it plays with a rare combination of strength and finesse.
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This is a remarkable early gold mounted bow by Etienne Pajeot, perhaps the most fascinating and innovative of all French makers. It’s an exceptional playing bow – the frog has some restoration but the stick is very well preserved.
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This is an exceptional decorated gold and tortoiseshell violin bow by EA Ouchard. It’s in near-mint condition and is one of the finest 20th century violin bows we have seen.
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This is a very fine Eury stick with beautiful copy mounts by Simon Guillaume. The condition of the stick is exemplary, and the bow draws a massive sound.
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This is an outstanding Persoit violin bow with exceptional sound and handling. Currently fitted with copy frog and button, but supplied with the original open frog and ivory button.
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Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way.
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FX Tourte is without question the greatest name in the history of bow-making. Here we have a superb example from around 1800, original in all parts and in excellent condition. It’s a tremendous player worthy of a leading soloist.
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