Martin Swan Violins Joseph René Lafleur is one of a number of great makers whose work sits between that of FX Tourte and the Peccatte school. This bow is very typical of his early work and close to that of his teacher Francois Lupot. It has some minor issues but it’s an outstanding player.
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A very fine bow by one of the most influential French makers of the 19th century – a strong yet refined playing bow in excellent condition.
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Joseph Henry is in my opinion the greatest maker of the Peccatte school. This bow has a replacement frog and is quite worn, but it’s an exceptional player.
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Voirin is one of the big names, unrivalled for the beauty and exactness of his work. Here we have an unusually well preserved example of this great maker’s work – it’s also a terrific player with ideal weight and balance.
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Nephew to Dominique Peccatte and son of François, Charles Peccatte was one of the select group of makers who served time in the Vuillaume shop. Here we have a very fine example of his later style, a great playing bow in an excellent state of preservation.
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This is an exceptional Pierre Simon stick made for Vuillaume, with later copy mounts. The stick is in near-mint condition and the playability is all you would expect from one of the greatest makers of the 19th century.
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Nicolas Maire is a highly respected Mirecourt maker closely associated with Pajeot, but who made the all-important journey to Paris. His style evolved significantly during his working life – this mid-period stick is in immaculate condition and has superb copy mounts by Derek Wilson.
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Dominique Peccatte is widely regarded as the greatest bow-maker of all time – his bows show unusual flair and workmanship, and they are unsurpassed in technical quality.
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This is a very fine example of the work of Nicolas Maline. A strong bow with a powerful soloist sound, and in excellent condition.
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Étienne Pajeot is one of the most important figures in the history of bow-making. This example is a top class player’s bow in very fine condition The original frog is an experimental open ebony frog – we are offering the bow with an additional and more workable copy frog made by Yannick Le Canu.
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Here is another fine bow by Joseph Henry, perhaps our favourite maker. It’s a strong yet supple stick that produces a massive sound – some wear to the handle but otherwise in excellent condition.
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This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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This is a very fine Joseph Henry in excellent condition. I have a particular soft spot for Henry, and this bow doesn’t disappoint in looks or in playability. It’s a top level bow for a serious professional.
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This is a very fine Eury stick with beautiful copy mounts by Simon Guillaume. The condition of the stick is exemplary, and the bow draws a massive sound.
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We are on something of a journey with Persoit, and this is the third bow of his we have offered this year. This one is a very interesting example of his early work. It’s unusually well preserved, and predictably enough it’s a fabulous player.
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Tourte is without question the most prestigious name in the history of bow-making. While FX Tourte was largely responsible for the design of bow that we recognize today, his older brother NL or “Tourte l’Ainé” was equally revolutionary.
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Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way.
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This is a superb FX Tourte violin bow in outstanding condition, original in all parts even down to the ivory face. It’s both an important historical artifact and a perfectly realised musical tool – an exceptional specimen as the certificate attests.
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