Pierre Simon Violin Bow, Paris circa 1855
This is a great playing bow by one of the foremost makers of the Peccatte School, Pierre Simon. Some signs of use but in very good condition overall.
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Rare Violin Bows Over £50K
Joseph Henry Violin Bow, Paris circa 1855
This is a very fine Joseph Henry in excellent condition. I have a particular soft spot for Henry, and this bow doesn’t disappoint in looks or in playability. It’s a top level bow for a serious professional.
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Etienne Pajeot Violin Bow, Mirecourt circa 1840
This is a particularly beautiful Pajeot violin bow from the maker’s best period – it’s in excellent condition, original in all parts, and it plays with a rare combination of strength and finesse.
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Etienne Pajeot Violin Bow, Mirecourt circa 1815
This is a remarkable early gold mounted bow by Etienne Pajeot, perhaps the most fascinating and innovative of all French makers. It’s an exceptional playing bow – the frog has some restoration but the stick is very well preserved.
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EA Ouchard Violin Bow, Mirecourt circa 1937
This is an exceptional decorated gold and tortoiseshell violin bow by EA Ouchard. It’s in near-mint condition and is one of the finest 20th century violin bows we have seen.
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Jacob Eury Violin Bow, Paris circa 1820
This is a very fine Eury stick with beautiful copy mounts by Simon Guillaume. The condition of the stick is exemplary, and the bow draws a massive sound.
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Jean Persoit Violin Bow, Paris circa 1820
This is an outstanding Persoit violin bow with exceptional sound and handling. Currently fitted with copy frog and button, but supplied with the original open frog and ivory button.
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Dominique Peccatte Violin Bow, Paris circa 1845
Dominique Peccatte Violin Bow, Paris circa 1845
Dominique Peccatte bows are highly prized for their playing qualities, and this one is a dream, strong yet supple in a uniquely 19th century way.
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Joseph Henry Violin Bow, Paris circa 1860
FX Tourte Violin Bow, Paris circa 1800
FX Tourte is without question the greatest name in the history of bow-making. Here we have a superb example from around 1800, original in all parts and in excellent condition. It’s a tremendous player worthy of a leading soloist.
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