FW Chanot Violin, London circa 1890
FW Chanot belongs to a distinguished line of violin-makers and experts. This violin is a beautifully preserved del Gesu copy with a powerful and supremely well balanced tone.
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FW Chanot belongs to a distinguished line of violin-makers and experts. This violin is a beautifully preserved del Gesu copy with a powerful and supremely well balanced tone.
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Here we have another excellent Paul Bailly from 1890 – it’s a very responsive instrument in excellent condition, and a great example of this maker’s work.
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This is a violin which has so far resisted all attempts at identification. Made in the copy style, most likely by the Dollenz family in Trieste, it’s an outstanding concert instrument with a rich, complex, bright voice.
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Emanuel Adam Homolka was the most talented maker to emerge from the Strnad workshop in Prague. His violins are rightly valued for their artistry and their tonal qualities. This is a lovely example with a unique silvery timbre.
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This is a great violin from the Hill workshop – dating from 1904, it’s in a fine state of preservation and it has a concert sound.
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This is a rare and very pretty violin by the 18th century Dutch maker Jacques LeFebvre – it’s a superb sounding instrument in good restored condition.
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Angelo Soliani violins are quite rare, and they are highly prized for their quality of tone. He seems to have been heavily influenced by Guadagnini, and the arching and varnish are very similar. This example is far from pristine, but it’s a great sounding instrument in good restored condition.
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Johannes Franciscus Cuypers (II) was the last in a long line of Dutch makers. All Cuypers instruments share very similar traits, and all are highly prized for their superb tonal qualities. This is a lovely and fine sounding example in great condition.
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This is a rare and interesting Genoese violin from the mid 1700s in a wonderful state of preservation and with an outstanding tone. The head is probably not original to the violin.
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Jacques Pierre Thibout is considered to be one of the best Parisian makers of the early 19th century. We have two violins of his at the moment, this one very much a player’s instrument with some minor restoration and a big bold sound.
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Galimberti’s work is very close to that of his teacher Antoniazzi, and this violin bears an uncanny resemblance in the model, the varnish and the choice of wood. You might describe this as the classic modern Milanese violin – a broad and elegant Strad model with a rich orange-brown varnish with minimal shading.
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Jacques-Pierre Thibout is perhaps the most artistic of the Parisian makers. He was a contemporary of Nicholas Lupot, and if he had made faithful Strad copies rather than pursuing his own model he would probably be the better known maker. Here we have a beautiful example in immaculate condition – definitely the finest Thibout I have seen and the best sounding too.
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Giuseppe Tarasconi is one of our favourite makers, a musician turned violin-maker who produced first-class instruments whilst retaining an immediately recognizeable style. This violin is a great example – in excellent condition and with a beautiful sound.
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This is a beautiful modern Italian violin by GB Gaibisso, a lesser known but very talented Ligurian maker. It’s in perfect condition and has a great sound.
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