Antique Violins £20K to £50K
Michael Albani Violin, Bolzano circa 1720
£20,000
The Albani family played a huge role in the development of violin-making, and yet their instruments are rarely seen. This violin is a very interesting example, following very closely on the work of Matthias but made by his son Michael. Always more successful tonally than Stainer (the other Tyrolean), this violin is no exception. More details
Paul Bailly Violin, Paris circa 1880
£22,500
Paul Bailly is definitely the most interesting maker to have come out of the Vuillaume shop, and we always like to have a couple of his violins in our stock. This is a very pretty small pattern violin (LOB 35.1cm) dating from his first Paris sojourn. More details
Mario Gadda Violin, Mantua 1979
£22,500
Mario Gadda is one of the best-known names in modern Italian violin-making, and this violin is a great sounding example of his own model in excellent condition. More details
Joseph Couturieux Violin, Paris circa 1840
£22,500
Rather like a number 51 bus, you can wait and wait for a Couturieux, and then two come along at once. Very little is known about this maker who worked briefly for JB Vuillaume – as far as I know he didn’t make instruments under his own label, and we know him mainly from his signature found inside this violin and a viola we also have for sale.
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Georges Cunault Violin, Paris 1912
£23,500
Georges Cunault was one of the finest French makers of the early 20th century, but his violins are rarely seen outside France. This is a beautiful del Gesu model from 1912 in excellent condition. More details
Paul Bailly Violin, London 1890
£25,000
Paul Bailly is definitely the most interesting maker to have come out of the Vuillaume shop, and this is the second of three violins of his which we will be offering. Bailly was a tireless experimenter – he also moved house a lot, working in Paris, Brussels, London, New York, Reims, Leeds, and finally Paris again! More details
Sebastian Klotz Workshop Violin, Mittenwald circa 1745
£25,000
This is an unusually fine Mittenwald violin, probably by Sebastian Klotz, dating from around 1745-1750. It’s in outstanding condition and the sound is fresh and brilliant. More details
Charles Gaillard Violin, Paris 1853
£30,000
French violin-making in the 19th century has been dominated by the Vuillaume shop, but there are numerous makers at this time who produced more beautiful and more individual work. Gaillard is one of these, and this is a great example with a lustrous varnish and an outstanding concert tone. More details
Angelo Soliani Violin, Modena circa 1800
£30,000
Angelo Soliani violins are quite rare, and they are highly prized for their quality of tone. He seems to have been heavily influenced by Guadagnini, and the arching and varnish are very similar. This example is far from pristine, but it’s a great sounding instrument in good restored condition. More details
Paul Blanchard Violin, Lyon 1894
£30,000 On trial
Paul Blanchard was an outstanding maker who worked for HC Silvestre before setting up his own workshop in Lyon. The violins he made pre-1900 are vey highly regarded, and the del Gesu models particularly so. This violin is a spectacular example in mint condition, with an outstanding concert sound. More details
Georges Chanot (II) Violin, London 1861
£32,500
The Chanot family have been hugely influential in the history of violin-making, both in France and in England. Georges Chanot II was sent to England by his father in order to stop him misbehaving in Paris – it definitely worked, and he became a consummate and very successful maker. More details
Joseph Hel Violin, Lille 1889
£38,500
This is a very fine del Gesu copy by one of the most interesting of late 19th century French makers, Joseph Hel. It’s in unusually fine condition with no cracks or damages. More details
Pierre & Hippolyte Silvestre Violin, Lyon 1844
£50,000
The Silvestres were exceptional makers, and their success owes much to their training with Nicolas Lupot and JB Vuillaume. The two brothers worked together from 1829 until 1848, and this violin is a very fine example of their collaborative work. It’s in an exceptional state of preservation, free from repairs or damages, and with very little wear to the original varnish. More details
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