Martin Swan Violins Jean-François Aldric is one of the great names in French making, of the same generation as Lupot and Pique. In his later years he made superb Stradivari copies modelled on originals which he obtained from Luigi Tarisio, and our violin is one of these – a very faithful Strad copy displaying exquisite workmanship, with a real concert sound.
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Pierre and Hippolyte Silvestre were exceptional makers, and their success owes much to their training with Nicolas Lupot and JB Vuillaume respectively. The two brothers worked together from 1829 until 1848, and then worked independently – Hippolyte survived his brother by 20 years and produced the greater number of instruments, but both makers are accorded equal status within the trade. This Guarneri model violin is a superb example of Hippolyte’s later work, and it’s in great condition.
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Charles Maucotel was the first of the Parisian makers to come to London. A tremendous yet relatively unknown maker, here we have a beautiful del Gesu copy of his in excellent condition, and with a first class sound.
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Georges Chanot is widely regarded as one of the greatest French makers, with a very personal style and a great reputation for tone. This example is an early Strad model, very artistic and with a phenomenal sound.
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Riccardo Genovese was the principal student of Annibale Fagnola, but his work is softer and the sound always more successful. This is a fine example in great condition with a powerful and very even sound.
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Joseph Calot is a fascinating figure in the history of violin-making. He is best known as a Turin maker for his association/collaboration with Pressenda, but he was also an apprentice in the workshop of Nicholas Lupot, and our violin is a bold variation on Lupot’s Paris style. This is a perfectly preserved example of Calot’s Parisian work, showing exceptional ability.
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Georges Chanot is generally regarded as the finest French violin maker after Nicolas Lupot. He was a renowned conoisseur of Italian violins, and his del Gesu copies are particularly sought after. This is a great example, and the sound is as good as it gets.
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Riccardo Antoniazzi is one of the principal members of the modern Milanese school. This lovely violin from his last period is in outstanding condition and the sound is powerful and complex.
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This is a fine violin by Nicolo Gagliano, made in 1761 and bearing its original label. It’s a particularly attractive example with a sublime tone.
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Ferdinand Gagliano (1738-1804) was the son of Nicolo and nephew of Gennaro. His violins have always been appreciated for their excellent tonal qualities – this example has exceptional clarity and projection.
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Giovanni Grancino is the most respected maker of the Milanese school. This example is built on a grand Amati pattern, and it’s a first class concert instrument.
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Camilli Camilli (1703-1754) is an important maker from Mantua – this is a lovely example of his work with a sweet and crystalline sound.
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Domenico Montagnana is the most highly regarded maker of the Venetian school – this is a beautifully restored example with a huge, dark and enveloping sound.
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