EA Ouchard Violin Bow, Paris circa 1935
Another lovely example of EA Ouchard’s work, this bow is from his best period, it’s very well preserved and it’s a treat to play.
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Another lovely example of EA Ouchard’s work, this bow is from his best period, it’s very well preserved and it’s a treat to play.
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This is a fine early Jules Fétique violin bow made for Emile Germain around 1905 – it’s in excellent condition and the sound is brilliant and focused.
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This is a unique and highly collectable Vuillaume shop bow made by Charles Peccate. It has its original silk lapping, and the frog has a Stanhope lens with a micro-photo of JB Vuillaume.
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This is a fine FN Voirin violin bow from around 1880 – it’s a great player’s bow in very good condition.
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Claude Thomassin is a maker whose star is continuing to rise, and here we have an exceptional gold-mounted bow, made for Léon Bernardel around 1910. It’s a very sophisticated and elegant bow with a brilliant sound.
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This is a very fine silver-mounted FN Voirin in mint condition – it’s an exceptional player, elegant and refined in conception but with a strong stick and a brilliant tone.
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This is an unusually fine Nicolas Maire stick with later mounts. It’s in near perfect condition, and the sound is pure and focused.
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This is a very fine early Voirin violin bow made on a Vuillaume model. It’s a powerful, stiffish stick that draws a dense rich sound. Some restoration to the frog but otherwise in very good condition.
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Here we have a remarkable violin bow by Jules Fétique, one of the 20th century’s best makers – perfectly preserved and a phenomenal player.
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Eugène Sartory commands a unique level of respect amongst musicians. Here we have a fine example from what is arguably his best period, in excellent condition and with a big rounded sound.
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This is a classic late period Sartory bow – the condition is very good, the sound broad and full of overtones.
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Nicolas Simon (also known as Simon Fr.) is a superb maker whose life and origins are still poorly documented. All we can say with certainty is that he made exceptional bows broadly in the style of Peccatte. This example is a great player’s bow in very good condition.
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Eugène Sartory enjoys unrivalled popularity amongst musicians – here we have an exceptional example of his later work, a beautifully balanced stick with a powerful and focused sound.
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This is a beautifully preserved bow from the hand of Nicolas Maline, one of the better makers from the golden period of French making. It’s a strong but supple stick which draws a majestic tone.
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This is a great stick by one of our favourite makers, Jean Persoit or “PRS”. Fitted with later mounts and with some minor condition issues, it’s nonetheless a remarkable stick suitable for a top level player.
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